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Fast Moves

Professional people on the move

Articles
Title
Robert Scovill: EAW
Marc Glattes, Scott Wakelin: L-Acoustics (US)
Jimmy Liang: Genelec
Jen Watman: SSL (US)
Bryan Lee: Sound Devices
Martin Andersson: Apex
Kristy Shepherd, Laura Davidson: Audiologic
James Jepson: Maxhub
Marco Weissert: Shure
K-array corporate appointments
Takis Tsonopoulos: Powersoft (MEA)
Jocelyne Bückner: Holoplot
Andy Appleyard: dB Broadcast
James Martin: SCV Distribution
Nick Williams: IAG
Patrick Leiner: Void Acoustics
Simon Godfrey: AtlasIED
Jim Schanz: Bose Pro
Bertrand Delbar: RCF Audio
Shure Spectrum & Regulatory Affairs team
Mike Jordan: RTI
Riedel Communications revises APAC leadership
Ian Bridgewater: TOA Corporation (UK)
Adam Shulman: Bose Pro
David Haberfeld: Group Technologies
Leo Tanzil: KV2 Audio
Sam Bucolo: Røde
Claus Gärtner: Lawo
Lance Harrison: Group Technologies
Genelec USA staff appointments
Lucy O’Brien: Riedel Communications
Andy Magee: TT+ Audio
Adam Steel: Audient
Riedel: live video production appointments
Suraj Vadher: Martin Audio
Kenn LeGault: Bose Pro
Landon Lovett: Solotech
Tom Der: Allen & Heath
Terence Chan: Clear-Com
Laurence Fornari: Digigram
Audrey Ensor: EAW
Gary Dixon: Audio-Technica
Shaun Hay: Group Technologies
Costa Nikols: Riedel Communications
Neil Johnston: Synthax UK
James Bobel: Holoplot
Greg Wolf, Jeremy Thelen, JP Torres: Clear-Com
Jeff Taylor: DAS Audio
Richard Johnstone: Røde
Carl Kurlanda: RTW
Kurt Van Scoy: Audio-Technica US
Peter Tsegaye: Riedel Communications
Miao Wang: Powersoft China
Steven Pechie: Solotech
Anthony Wilkins: Clear-Com
Peter Shen: Riedel Communications
Matt Markgraf: Audio-Technica
Andrew Allen: Audient
John Steinhauer: Solotech
Rich Frembes: Fulcrum Acoustic
Nicolas Sturmel: DirectOut
Simon Beesley: Videndum Media Solutions
Paul Lamarre: Martin Audio
Marion Dimayuga: Riedel Communications
Ivan Schwartz: AtlasIED
Val Gilbert: Fulcrum Acoustic
Laura Camacho: Focusrite Group US
Andrew Pernetti: Lavoce
Bosch Division Building Technologies
Timo Koch: Riedel Networks
Vieri Parrulli: KScape
Philippe Delépine, François Sarbinowski: Riedel
Todd Foster: Fulcrum Acoustic
Joshua Litwack: RTI
Dan Housel: Renkus-Heinz
Laurent Rault: Shure
Sally Hattori: SMPTE
Victor Janacua: Silent Zoo Studios
Michele Rossi: K-array
John Maier: Bose Pro
Callum Bowran: Aux Import
Martin Carrier: Solotech
Jan Eveleens, Daniel Url: Riedel Communications
John Geraghty: Fulcrum Acoustic
Lawo UK CTO Office
Nicola Milburn: Clear-Com
Sam Schauland: Lawo US
Patxi Monedero: Nugen Audio
Steve Watson: PMAV-EU
Benjamin Mariage: Riedel Communications
Chris Karn: PMC USA
Thomas Howie: Powersoft
Mike Case: d&b audiotechnik
Emelie Gessner Gozzi: Dirac
Wisycom restructure
Alexander Bogatkin: Broadcast Solutions
Rick Seegull: Riedel Communications
Tamas Vass: Allen & Heath
Bryan Elliot: Audazzio
Guillaume Mauffrey: Riedel Communications
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Fast News

Sacramento’s Raley Field upgrades 25-year-old sound

More commonly known as Raley Field, the 14,000-capacity Sutter Health Park in West Sacramento, California, is home to the River Cats baseball team and ‘A’s’ (Athletics), where a major upgrade of its sound infrastructure has been conducted to ‘enhance the fan experience’ and improve game-day technology.

Based around Martin Audio CDD and SX subwoofer components, as well as process-controlled amplification from Focusrite sister brand, Linea Research, the new installation takes over a 25-year-old one that badly needed replacing.

Read more …

Clear Tune strikes distribution deal with Guitar Center

IEM systems manufacturer Clear Tune Monitors has expanded distribution partnership with Guitar Center, one of the world's largest music retailers, making the Orlando Florida-based company’s products available for purchase at select Guitar Center stores throughout the US.

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DMI-Klang immersive monitoring adds to Motown’s Magic

A feel-good musical extravaganza full to the brim with Motown classics, The Magic of Motown marked its 20th year at London’s Palladium in March 2025.

FOH engineer Job Lewis handles monitors and supplies all audio gear for the show through his company, JL Sound Reinforcement, with his addition of DMI-Klang IEM to his DiGiCo Quantum 225 deck has not only ‘revolutionising’ how the singers and band interact, but also freeing him to concentrate more fully on the front-of-house mix.

Read more …

V1 Church adopts Waves LV1 for FOH and broadcast

Having begun as a gathering of 18 people in a Long Island living room, V1 Church has grown into eight campuses across the US, with approximately 2,500 attending in person each week and more than 8,000 joining online. Its campus in Williamsburg, Brooklyn, serves as its main broadcast hub and doubles as a music venue during the week.

‘This means we set up and tear down our entire set-up every week,’ says V1 Church Lead Audio Engineer, Christopher Wrigley. ‘Despite these challenges, our eMotion LV1 Classic handles the complexity and rigors of our Sundays seamlessly.’

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The Sense Gallery

Covering 30,000sq-m with more than 160 stores, bars, restaurants, play area and a casino, FoxTown Factory Stores was the first factory outlet centre in Southern Europe when it opened in 1995. As the management team planned an expansion in 2022, they conceived a new entertainment experience – The Sense Gallery, Switzerland’s first multisensory museum.

Read more …

EAW appoints Blue5 Technology for Europe representation

Eastern Acoustic Works has appointed industry veteran David Budge and Blue5 Technology as an independent sales rep for Europe, to work with EAW’s sales team to support existing partners as well as identify and bring on new partners in countries currently without local EAW representation.

Read more …

Renkus-Heinx lands intelligibility at Portland International

Recognised for its integration of local culture, sustainability and innovation, he latest modernisation project at Portland International Airport (PXD) is part of the ambitious PDX Next initiative, blending latest-generation technology with architectural design. Central is the installation of Renkus-Heinz’s Iconyx Compact loudspeakers, bringing audio clarity without disturbing the airport’s aesthetic.

Read more …

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