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Wide News

From recording, broadcast, postproduction and A/V

String & Can

Studio A at String & Can, featuring a 7.1.4 Genelec Dolby Atmos system

With its flagship studio in Manhattan’s Chelsea neighbourhood, String & Can has become a trusted name in audio postproduction, specialising in Dolby Atmos mixing. At its heart are Genelec monitors, chosen for their precision, reliability and consistency across Atmos, 5.1 surround and stereo formats.

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Alibaba’s Beijing Treasure

Alibaba’s Hujing Digital Media & Entertainment Group Studios

Alibaba’s Hujing Digital Media & Entertainment Group Studios has opened a new A/V production studio at the company’s Beijing headquarters, designed in partnership with consulting and design firm WSDG. The completed complex includes four control rooms, a large live room and multiple isolation booths, and represents a significant infrastructure enhancement for the audio, video and gaming content development arm of the world’s largest e-commerce platform.

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The World Machine

The World Machine

The UK leg of the tour Level 42’s 40th anniversary tour in support of their The World Machine breakthrough album has been extended to cover 32 venues with sound support from Safe Hands Audio – described by audience members as ‘the best gig sound’ they’ve ever heard. Key to the tour’s sound are Electro-Voice loudspeaker systems.

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Coldplay’s Music of the Spheres

Coldplay’s Music of the Spheres World Tour

Kicking off in San José, Costa Rica in 2022 and taking a hiatus following a ten-date residency at London’s Wembley Stadium to concluded in September 2025, Coldplay’s 225-show Music of the Spheres World Tour has visited in 80 cities across 43 countries to date. The tour took advantage of its Australian leg to bring DiGiCo’s Quantum852 onboard.

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Timber Canyon Studios

Timber Canyon Studios control room designed by Sam Berkow

Veteran engineer, mixer, producer and musician Jim Roberts and his wife and business partner, Marie, have launched their new music production facility, Timber Canyon Studios, in the Laramie Mountains of southeast Wyoming, centred on a 32-channel Solid State Logic Origin analogue mixing console.

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Fast News

Follow-Me names Netherlands sales partner

Performer tracking solutions specialisr Follow-Me has struck a sales partnership with Rolight, positioning Rolight as exclusive sales partner in the Dutch market, expanding access to performer tracking systems for theatres, festivals, TV productions and touring shows across The Netherlands.

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Bluesound Professional adds FitRadio to audio offering

Specialist in networked audio solution for commercial spaces Bluesound Professional has welcomed FitRadio, the world’s most popular streaming music service for the fitness vertical, to its ecosystem of streaming audio partners.

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Martin Audio sound rocks Pune at new Xclusive Club

With its interior design and unque vibe attracting an elite crowd, Xclusive Club & Kitchen has redefined nightlife in the heart of Pune. DJs rotate to deliver a mix of high energy, Bollywood and EDM through a PA system comprising Martin Audio Torus and BlacklineX.

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AES publishes Improving Dialogue Intelligibility in Media

With increased audience complaints following the transition of TV sound from the analogue era to the cinematic-style wide dynamic range digital multichannel broadcast, the AES Technical Committee for Broadcast and Online Delivery has published Technical Document (TD1009), Improving Dialogue Intelligibility in Media, which diagnoses the intelligibility problem and presents solutions.

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Umeda Club Quattro installs DiGiCo Quantum 338 console

One of four live venues across Japan, Umeda Club Quattro has installed a DiGiCo Quantum 338 mixing console supplied by distributor, Hibino, which will also provide full maintenance and support.

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Terry Jardine retires from Autograph Sound

Terry Jardine, one of the most distinguished and recognisable names in UK theatre sound, is stepping away from his role as Chairman of Autograph Sound, the specialist theatre sound company.

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London’s St Luke’s prepares for next generation

Among London’s most distinctive cultural spaces, London Symphony Orchestra’s (LSO) St Luke’s is a home to world-class performance, recording and learning, as well as being a hub for the LSO’s artistic and community work. But after more than two decades’ use, the technical infrastructure at the Grade I-listed church was struggling to support the scale and ambition of the activities inside. Conceived to modernise St Luke’s and expand its digital and technical capabilities, the Future Ready project set out to equip the venue for the next generation.

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