Second screen viewing took another decisive step towards your living room with the launch of the PS4 and Xbox One games consoles last week.
Now lined up in direct competition with smart TVs to provide a domestic media hub, both Sony and Microsoft are looking to cover all bases… including making use of second screen working to expand their gaming. How is the next-gen console shaping up?
I struggled to get my head around computer viruses to begin with. The whole concept was at odds with my understanding of what real-world software was about. And I frowned at the first mention of self-healing DSP. Doesn’t intelligent technology belong to Asimov and his Three Laws?
American neuroscientist Christof Koch reckons that ‘consciousness arises within any sufficiently complex, information-processing system’…
My viewing of the episode of Agatha Christie’s Poirot that aired on TV last week wasn’t what anyone had in mind when she penned the story or when the television series began in 1989 – or even when ITV Studios recently made the final run of four episodes. Very much has changed in the intervening years.
And there are more changes in the wind, as the second screen is poised to reshape TV broadcasting – and music could see the greatest changes of all...
It’s been a while – 22 years, in fact – but as I start to retell the story, I lift my hand and it’s trembling gently. Just as it did then.
For a few moments I am transported back to a quiet London hotel room, where I am reading from the transcription of an interview I had done a few days earlier. I’m telling David Sylvian what the other members of his band have said about him and their work together on their most recent album. It’s a bit tense…
Where vinyl and cassette once conspired to carry music in a beautiful symmetry of quality and portability, they have been brought head-to-head by the launch of Cassette Store Day. Rather than reuniting the old team, this has divided opinion over their relative worth.
We’ve become used to the succession of ‘format wars’, but this has to be the first engagement fought between obsolete and obsolescent media…
The recent collateral blocking of the UK’s Radio Times website as a result of a dispute between the Premier League and an unrelated copyright infringing site is just the latest in a series of warnings over internet control.
There is a strong argument for regulating internet content. But if new censorship arrives, what is its likely impact on broadcasting, music and the wider audio industry? The signs are that it’s a disaster in the making...
‘Games art teams are ten years ahead of audio. We have some catching up to do – we need to ride their coat-tails...’
While some are celebrating the achievements of games sound designers, others are convinced that we are not making the best of the opportunities on offer. And with next-gen consoles and cloud computing in imminent prospect, the ‘others’ may well be right...

If I’d been one of Pythagoras’ akousmatikoi around 500 BCE, I’d have known about it. And if I’d been part of the musique concrète movement during the sixties, I’d have known about it. If you’re involved in radio, TV, movies or games, you need know about it too...
Before the internet, when each morning’s post brought a new pile of vinyl to my desk for listening and review, I came to regard the schoolyard as one of the music biz’s most underrated assets.
Here, boys (exclusively) shared the fruits of hours of bedroom listening. Personal musical explorations were enthusiastically pooled for the greater good. Later, commitments and kids would take it all away.
It was Fatboy Slim who first put me wise to the ‘democratisation of music’. In a staunch defence of music sampling’s domination of the late-’80s music charts, his arguments were a taste of things to come…
Major labels and big-room recording studios were struggling in the face of project recording and on-line distribution. Now, WholeWorldBand and Songkick Detour are offering fresh takes on music recording and gig promotion.
Once again, it began as a throwaway Facebook exchange. Why, a Friend asked, do DJs have to invent new words and stupid spellings for everything?
Moving on from DJs posturing and muso disdain, there is a wealth of worth in the language of the music business. It is constantly evolving to define, enable and exclude, responding to events, technical advance and outside forces. And we need it as much as we need mics and mixers or ambition and opportunity…
Fast-and-Wide Blog
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Obsolescence: An Index of PossibilitiesAs a Tyrell Corporation Nexus-6 replicant, Blade Runner’s Roy Batty had a predetermined life span of just four years – and he wanted it extended. Remonstrations...Read More...
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Our Infatuation with SaturationWhen professional digital audio made its entrance, the limitations of early technology combined with the excitement of some advocates made it a soft target...Read More...
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Controlling InterestThe very first synthesiser I owned was a Moog. And my second; and my third. I still have two of them, a Micromoog and Minimoog, but sold the third, an...Read More...
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The Sound of the CrowdSo sport is back, in part, but fans are presently unwelcome at the matches being played – unless you count the cut-outs that the likes of Brighton &...Read More...
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The Last Seat in the HouseWe were just a few days into the UK coronavirus lockdown, when a copy of The Last Seat in the House: The Story of Hanley Sound arrived on my doorstep....Read More...
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Knocking Back CoronaWith only 13 countries presently likely to be remaining Covid-19 free, the live music and club industries worldwide have taken a heavy blow. The games...Read More...
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Après MidiWhen it appeared in 1983, Midi changed my life – as it did for countless other keyboard players around the world. Like any revolution worthy of...Read More...
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evolution: Sennheiser’s revolution Pt.2Having explored the thinking and story behind the evolution concept, Sennheiser’s exclusive show-and-tell session in London gave the floor to the a handful...Read More...
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evolution: Sennheiser’s revolution Pt.1‘Twenty years ago, a question was posed: should Sennheiser continue to produce dynamic microphones? Our prices had gone up and our profit had gone down...Read More...
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Pink Floyd: Their Mortal RemainsReleased in March 1967, ‘Arnold Layne’ was the first of eight singles from the fledgling Pink Floyd that year. Fifty years on, and with an unassailable...Read More...
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Kit Reviews: Cause and EffectSharing time and a couple of bottles of Asahi with another former pro audio magazine editor in the bar of London’s Metropolis Studios recently, the hoary...Read More...
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The Heydays of PhaseSometime around 1975-76 I wanted an MXR Phase 90 for my Wurlitzer electric piano – I wanted what the ‘real’ keyboard players of the time were using....Read More...
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The Vibe RevivalWith the ambition of the first Leslie emulation pedals finally fulfilled, the story of the Shin-ei Uni-Vibe has come full circle. In its wake we have phasers,...Read More...
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Second Screen Sports: Off Tube, On TargetMy local pub has a split personality. Or, maybe, it’s more like a secret identity – a single location but with two roles in life. For some of us,...Read More...
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Sound of Story: Chapter 3I once read that smell is our strongest associative sense. I’ve since tried to establish the relative ability of our other senses to evoke memories...Read More...
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Flange Theory: How I Miss My MistressIt seems to have become a common misconception that guitar fuzz boxes and distortion pedals predate more eloquent effects, such as phasing and flanging. OK,...Read More...
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