Feelings were running high around the table. Present were some important voices representing contrasting – and sometimes diametrically opposing – views on education in pro audio. What it was, who needed it, where they should get it, what it should cost.
That was in the early 1990s and I’m not convinced we’ve made progress on answering any of those questions.
There’s a man in Dallas who reckons that a collection of records isn’t complete without eight-track cartridge releases to sit alongside vinyl, cassette, CD, DVD, concert programmes and other music memorabilia. In fact, he’s setting up a museum specifically to celebrate the eight-track format…
And he makes a very a valid point – it’s not the best recordings that get the collectors excited, it’s the rare releases...
Some say a wedding isn’t a wedding without a fight. In some communities, it’s the highlight of the day.
I’ve never actually seen a wedding brawl myself, but I had a ringside seat at a wedding reception that saw music producers and musicians quietly alligning themselves against the ‘non musicians’ present. The tension stayed beneath the surface but it was tangible.
London, Paris, New York, Munich; everyone listen to the same pop music.
I remember a television interview with Jeff Beck from a few years ago, when he described a generation of rock guitarists who were ‘trying to play the same guitar solo’. That’s one of the problems that comes with heroes – but heroes set benchmarks and inspire achievement. In contrast, Simon Cowell’s X Factor ‘talent show’ places musical ambition low on its agenda...
I absolutely love radio. The Buggles’ wry dismissal aside, radio was never going to be a casualty of the home video recording ‘star’ of the late 1970s.
We could talk about how highstreet video rental subsequently seemed poised to bring down the curtain on cinema. Or how drum machines rattled the death knell of drummers. Or any colour you like being ‘the new black’. But let’s stay tuned to the radio…
Behind very tightly-closed doors – ones that can only be described as ‘belonging to a major London recording studio’ to allay any suggestion of endorsement – Chris Estes set up his hybrid analogue/digital recording system for its first demonstration in the UK earlier this week. Part of a demonstration tour of Europe, Estes describes the Clasp system as an exercise in ‘manipulating time and space’.
I well remember the early days of digital mixing consoles – it’s hard now to appreciate the technical ambition that lay behind their development or the hostility they frequently encountered.
Or the guts shown by their early adopters. I was thrilled by the prospect of a ‘new’ audio technology and the taunt of the possibilities it was beginning to promise, but I was horrified by the resistance those early desks met.
I’ve been in demand, I’ve had my disciples – I’ve even been prayed to. I’ve accepted surrender and certainly done some some soul searching while alone in the bathroom. I am the engineroom of every classic rock band and the underlying performance requirement of every reggae gig and nightclub sound system...
Yes people, I am the beat, and it’s all about me.
I got a text message from the Cropredy Festival in the UK: ‘Any searching questions 4 rick wakeman?’
‘What became of the Birotron,’ I replied.
‘Is that serious?’
‘Yep, a keyboard he was developing with dave biro’
And with that, my brother was off to talk to ‘keyboard wizard’ Rick Wakeman.
A while later I got this: ’14 left. He has not got 1. Would love 1. 10 thou dollars plus 4 non-working model’
With the recent arrest of an Italian man for firing a rifle into the air and then ramming a public bar with his car, and the earlier arrest of a man for the fatal shooting of a 14-year-old boy in Durban, you can’t deny that the sound of vuvuzela trumpets – wherever they are played – has had an impact beyond that of celebrating football in South Africa (including broadcast complications). It's been dubbed 'vuvuzela rage' by some of the popular press.
Having moved its mixing console production operation from it home in Regensdorf, Switzerland, to its expanding headquarters in the UK, Soundcraft Studer could have taken the opportunity to unencumber itself of a large amount of old equipment, pictures and archives. Thankfully, it has not…
Fast-and-Wide Blog
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Obsolescence: An Index of PossibilitiesAs a Tyrell Corporation Nexus-6 replicant, Blade Runner’s Roy Batty had a predetermined life span of just four years – and he wanted it extended. Remonstrations...Read More...
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Our Infatuation with SaturationWhen professional digital audio made its entrance, the limitations of early technology combined with the excitement of some advocates made it a soft target...Read More...
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Controlling InterestThe very first synthesiser I owned was a Moog. And my second; and my third. I still have two of them, a Micromoog and Minimoog, but sold the third, an...Read More...
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The Sound of the CrowdSo sport is back, in part, but fans are presently unwelcome at the matches being played – unless you count the cut-outs that the likes of Brighton &...Read More...
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The Last Seat in the HouseWe were just a few days into the UK coronavirus lockdown, when a copy of The Last Seat in the House: The Story of Hanley Sound arrived on my doorstep....Read More...
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Knocking Back CoronaWith only 13 countries presently likely to be remaining Covid-19 free, the live music and club industries worldwide have taken a heavy blow. The games...Read More...
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Après MidiWhen it appeared in 1983, Midi changed my life – as it did for countless other keyboard players around the world. Like any revolution worthy of...Read More...
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evolution: Sennheiser’s revolution Pt.2Having explored the thinking and story behind the evolution concept, Sennheiser’s exclusive show-and-tell session in London gave the floor to the a handful...Read More...
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evolution: Sennheiser’s revolution Pt.1‘Twenty years ago, a question was posed: should Sennheiser continue to produce dynamic microphones? Our prices had gone up and our profit had gone down...Read More...
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Pink Floyd: Their Mortal RemainsReleased in March 1967, ‘Arnold Layne’ was the first of eight singles from the fledgling Pink Floyd that year. Fifty years on, and with an unassailable...Read More...
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Kit Reviews: Cause and EffectSharing time and a couple of bottles of Asahi with another former pro audio magazine editor in the bar of London’s Metropolis Studios recently, the hoary...Read More...
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The Heydays of PhaseSometime around 1975-76 I wanted an MXR Phase 90 for my Wurlitzer electric piano – I wanted what the ‘real’ keyboard players of the time were using....Read More...
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The Vibe RevivalWith the ambition of the first Leslie emulation pedals finally fulfilled, the story of the Shin-ei Uni-Vibe has come full circle. In its wake we have phasers,...Read More...
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Second Screen Sports: Off Tube, On TargetMy local pub has a split personality. Or, maybe, it’s more like a secret identity – a single location but with two roles in life. For some of us,...Read More...
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Sound of Story: Chapter 3I once read that smell is our strongest associative sense. I’ve since tried to establish the relative ability of our other senses to evoke memories...Read More...
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Flange Theory: How I Miss My MistressIt seems to have become a common misconception that guitar fuzz boxes and distortion pedals predate more eloquent effects, such as phasing and flanging. OK,...Read More...
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