It is with immense excitement that I welcome you to Fast-and-Wide.com, a new blog/website with an agenda that reflects its name.
Although 'Fast-and-Wide' is taken from the generic description of high-performance digital bus, it also neatly fits the need for information exchange if we are to make the most of unprecedentedly rapid technological advance and the fallout from global recession.
Fast-and-Wide Blog
-
Obsolescence: An Index of PossibilitiesAs a Tyrell Corporation Nexus-6 replicant, Blade Runner’s Roy Batty had a predetermined life span of just four years – and he wanted it extended. Remonstrations...Read More...
-
Our Infatuation with SaturationWhen professional digital audio made its entrance, the limitations of early technology combined with the excitement of some advocates made it a soft target...Read More...
-
Controlling InterestThe very first synthesiser I owned was a Moog. And my second; and my third. I still have two of them, a Micromoog and Minimoog, but sold the third, an...Read More...
-
The Sound of the CrowdSo sport is back, in part, but fans are presently unwelcome at the matches being played – unless you count the cut-outs that the likes of Brighton &...Read More...
-
The Last Seat in the HouseWe were just a few days into the UK coronavirus lockdown, when a copy of The Last Seat in the House: The Story of Hanley Sound arrived on my doorstep....Read More...
-
Knocking Back CoronaWith only 13 countries presently likely to be remaining Covid-19 free, the live music and club industries worldwide have taken a heavy blow. The games...Read More...
-
Après MidiWhen it appeared in 1983, Midi changed my life – as it did for countless other keyboard players around the world. Like any revolution worthy of...Read More...
-
evolution: Sennheiser’s revolution Pt.2Having explored the thinking and story behind the evolution concept, Sennheiser’s exclusive show-and-tell session in London gave the floor to the a handful...Read More...
-
evolution: Sennheiser’s revolution Pt.1‘Twenty years ago, a question was posed: should Sennheiser continue to produce dynamic microphones? Our prices had gone up and our profit had gone down...Read More...
-
Pink Floyd: Their Mortal RemainsReleased in March 1967, ‘Arnold Layne’ was the first of eight singles from the fledgling Pink Floyd that year. Fifty years on, and with an unassailable...Read More...
-
Kit Reviews: Cause and EffectSharing time and a couple of bottles of Asahi with another former pro audio magazine editor in the bar of London’s Metropolis Studios recently, the hoary...Read More...
-
The Heydays of PhaseSometime around 1975-76 I wanted an MXR Phase 90 for my Wurlitzer electric piano – I wanted what the ‘real’ keyboard players of the time were using....Read More...
-
The Vibe RevivalWith the ambition of the first Leslie emulation pedals finally fulfilled, the story of the Shin-ei Uni-Vibe has come full circle. In its wake we have phasers,...Read More...
-
Second Screen Sports: Off Tube, On TargetMy local pub has a split personality. Or, maybe, it’s more like a secret identity – a single location but with two roles in life. For some of us,...Read More...
-
Sound of Story: Chapter 3I once read that smell is our strongest associative sense. I’ve since tried to establish the relative ability of our other senses to evoke memories...Read More...
-
Flange Theory: How I Miss My MistressIt seems to have become a common misconception that guitar fuzz boxes and distortion pedals predate more eloquent effects, such as phasing and flanging. OK,...Read More...
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
