A recent Facebook discussion on the state of popular music making threw out an interesting benchmark – the ratio between ‘shit’ and ‘the shit’. Let’s call it S/TS. If that’s reminiscent of signal-to-noise (S/N), it’s no accident.
Much of the blame for the swing towards the ‘S’ end of the scale was assigned to major record labels. The rest came technology’s way.
When did you first meet Kevlar? Think carefully, your answer may betray a lot about your past.
If it was sometime around 1976, you were either enjoying the finer points of cutting-edge reference loudspeaker performance or reading spec sheets in the hope that you soon would be. If you were five years ahead of the audio boys, you were more likely risking your life for country or cash.
Look up! Clouds are gathering over the internet. Some may have silver linings. Others are most certainly storm clouds.
These clouds are computing clouds – cloud computing. If it’s a new term to you now, it won’t be for long. These clouds will change the way you use your computer and the way you use your music, video and photo libraries. Forever.
The characteristic noises of death and destruction are contrived by nature to be unpleasant. If their cause is indifferent to their creation, then our ears ensure that we read them as alarming, even terrifying.
Certainly, this was the case with many of the records released in the wake of the introduction of CD. The sound of corporate exploitation, combined with artistic apathy, was as excruciating as it was depressing.
It is the early hours of Saturday morning. I'm somewhere in a cold, dark wood with a film crew. The Marantz has just died on me...
My hands are almost too cold to change the batteries in the recorder. The director, crew and cast are waiting to start the next take. I am beginning to doubt I will ever be warm again. Batteries changed. Camera rolling. Sound rolling. Slate!
I read an iPhone app review on iTunes yesterday: ‘I’ve stopped using the Google Analytics website and just use the app…’ it claimed. It’s a big claim, given the extent of information Analytics provides. So I downloaded the app and gave it a try. And I had to agree…
I have a theory about smartphone apps. I think they are changing our whole approach to mobile devices and shaping future computer operation.
A recent TED presentation saw Sarah Angliss examine the connection between Britain’s Industrial Revolution and Detroit’s motor industry, and the music they have produced. In the reflections of unforgiving industrial environments, she can see an ‘art out of noise’ model at work.
Curiously, I’ve drawn exactly the opposite conclusion over the way modern businesses have turned music back into industrial noise.
For a while, each visit I made to America was preceeded by a delivery of fine Cuban cigars. In a very Bond-like arrangement, I was to take these with me ‘for personal use’ and deliver them to an American whom we shall call Steve.
It was quite legal but it had an enjoyable air of opulence and sedition... and it was intimately tied in with cutting-edge digital audio.
Shark: 'Good morning sir. Can I interest you in advertising your company through our most excellent media broadcast service? It is the leader in its field and attracts more of your target audience than you can shake an industry demographic at... and it's a gift at our present rate.'
Mark: 'Wow, that sounds just perfect for my very specific marketing requirements! Where do I sign?'

You don’t have to be afraid to have tit.com crop up in your browser history. Against all reasonable expectation, it’s not a pornography site – although judging by the ‘Sorry, there is no adult content here’ disclaimer it carries, it probably has a very high bounce rate…
Regardless of content, a short domain name is worth money. And it’s a sweet introduction to an overlooked aspect of the internet’s creation and operation.
Fast-and-Wide Blog
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Obsolescence: An Index of PossibilitiesAs a Tyrell Corporation Nexus-6 replicant, Blade Runner’s Roy Batty had a predetermined life span of just four years – and he wanted it extended. Remonstrations...Read More...
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Our Infatuation with SaturationWhen professional digital audio made its entrance, the limitations of early technology combined with the excitement of some advocates made it a soft target...Read More...
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Controlling InterestThe very first synthesiser I owned was a Moog. And my second; and my third. I still have two of them, a Micromoog and Minimoog, but sold the third, an...Read More...
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The Sound of the CrowdSo sport is back, in part, but fans are presently unwelcome at the matches being played – unless you count the cut-outs that the likes of Brighton &...Read More...
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The Last Seat in the HouseWe were just a few days into the UK coronavirus lockdown, when a copy of The Last Seat in the House: The Story of Hanley Sound arrived on my doorstep....Read More...
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Knocking Back CoronaWith only 13 countries presently likely to be remaining Covid-19 free, the live music and club industries worldwide have taken a heavy blow. The games...Read More...
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Après MidiWhen it appeared in 1983, Midi changed my life – as it did for countless other keyboard players around the world. Like any revolution worthy of...Read More...
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evolution: Sennheiser’s revolution Pt.2Having explored the thinking and story behind the evolution concept, Sennheiser’s exclusive show-and-tell session in London gave the floor to the a handful...Read More...
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evolution: Sennheiser’s revolution Pt.1‘Twenty years ago, a question was posed: should Sennheiser continue to produce dynamic microphones? Our prices had gone up and our profit had gone down...Read More...
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Pink Floyd: Their Mortal RemainsReleased in March 1967, ‘Arnold Layne’ was the first of eight singles from the fledgling Pink Floyd that year. Fifty years on, and with an unassailable...Read More...
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Kit Reviews: Cause and EffectSharing time and a couple of bottles of Asahi with another former pro audio magazine editor in the bar of London’s Metropolis Studios recently, the hoary...Read More...
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The Heydays of PhaseSometime around 1975-76 I wanted an MXR Phase 90 for my Wurlitzer electric piano – I wanted what the ‘real’ keyboard players of the time were using....Read More...
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The Vibe RevivalWith the ambition of the first Leslie emulation pedals finally fulfilled, the story of the Shin-ei Uni-Vibe has come full circle. In its wake we have phasers,...Read More...
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Second Screen Sports: Off Tube, On TargetMy local pub has a split personality. Or, maybe, it’s more like a secret identity – a single location but with two roles in life. For some of us,...Read More...
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Sound of Story: Chapter 3I once read that smell is our strongest associative sense. I’ve since tried to establish the relative ability of our other senses to evoke memories...Read More...
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Flange Theory: How I Miss My MistressIt seems to have become a common misconception that guitar fuzz boxes and distortion pedals predate more eloquent effects, such as phasing and flanging. OK,...Read More...
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