Cercle Odyssey story tour
French company Smode Tech has struck a partnership with Cercle Odyssey, the world’s first large-scale 360° immersive concert, to provide its real-time media server technology for a global tour – an ambitious new form of entertainment fusing spatialised sound, video, olfactory experiences and classically-influenced storytelling.
Described as a ‘nomadic’ installation, Cercle Odyssey places audiences at the heart of a technological and artistic odyssey designed to replicate the feeling of Cercle’s famous outdoor electronic music shows in an indoor setting.
As Denmark’s new national centre for contemporary dance and choreography, the scope of flexibility required by the Copenhagen Dansehallerne’s performance spaces reflects the needs of its designers, choreographers and performers.
Engineer, producer and educator Bob Bullock began his career in Los Angeles working alongside Steely Dan, Fleetwood Mac and Art Garfunkel during the 1970s – as a number of LA studios were installing Harrison Audio’s first mixing console.
When professional digital audio made its entrance, the limitations of early technology combined with the excitement of some advocates made it a soft target for purists and sceptics. Then, as the tech found its feet and its potential became tangible, there was no going back.
Opened in the early 1960s as Moonglow Records, The Sound Factory’s name was coined by David Hassinger, who purchased the LA facility in 1969. A decade later, the facilty was sold to Sunset Sound Recorders owners Paul and Tutti Camarata, who ran it until it changed hands again in 2017.
Hosted by broadcast presenter Jake Humphrey and Damian Hughes, an expert on high-performance sporting cultures and visiting professor at Manchester Metropolitan University, The High Performance Podcast turns the lived experiences of high performers into life lessons.
Equipping its 900-capacity main room with L-Acoustics L-ISA immersive audio technology has made The Other Side the first club in the world to fully embrace spatial audio. This move not only honours Amsterdam’s legacy of innovation, but offers a new standard for clubbing experiences worldwide. 
Setting up in the Hollywood Studio Symphony at Sony Pictures Studios in Culver City, California, producer and score mixer Christian Amonson recently recorded ‘Across the Stars (Love Theme from Star Wars: Episode II)’ by John Williams.
With a history spanning more than 125 years, the University of Greenwich is regarded as one of the world’s top universities, and offers more than 200 courses across its Greenwich, Avery Hill and Medway campuses in the UK.
Run entirely by volunteers and broadcasting 24 hours a day, seven days a week, UK Community Radio station Mix 92.6 is now quipped with the largest Vicbooth Ultra modular sound insulation pod in the UK following assistance provided by HHB Communications on moving to its new premises.
With the ambition of the first Leslie emulation pedals finally fulfilled, the story of the Shin-ei Uni-Vibe has come full circle. In its wake we have phasers, flangers and digital modelling pedals, each having taken their shot at replacing the Leslie loudspeaker cabinet and finding their own unique niches.
Having been individually and jointly involved in mixing some household names in the music industry, the latest venture shared by Lewis Chapman and Geoff Swan combines a closer partnership with a desire to move into Dolby Atmos mixing.
With the studio they were using less than ideal, comparing notes between sessions in a cramped kitchen prompted Amin Hamzianpour and Nicholas Sonuga to come up with the concept of Qube – a purpose-built space available to rent to musicians, and also podcasters, YouTubers, artists and photographers.