The first pop act to perform at the Las Vegas Sphere, the Backstreet Boys’ took up a summer residency at the fully immersive venue to mark the 25th anniversary of the release of their Millennium album. Relaying the band’s performance through the Sphere’s 360° sound system, involved the use of an SSL Live console and five Digital Audio Denmark Core 256 interfaces for playback, to host plug-ins and for and recording.
Six-piece multi-genre Australian band King Gizzard & the Lizard Wizard recently toured the US with their Phantom Island show, featuring…
The close to their 15 Years tour, Lisbon’s 68,100-capacity Estádio da Luz was the biggest stadium show yet for Portuguese-speaking band,…
Planning the band’s last live performance for Birmingham’s Villa Park Stadium, Black Sabbath: Back to the Beginning Production Director…
English musician Steven Wilson is currently circling the globe with The Overview tour, an ambitious live multimedia and concert…
With areas of the internet awash with harsh criticism of Avid’s present business direction, I met with an Avid spokesperson to discuss the company’s position. A frank and healthy conversation later, we’d agreed to follow up for a post on F&W – with sight of copy before posting.
Having arranged the meeting, Avid’s PR agent then reported that he wasn’t ‘really in a position to comment’. After a promising start, the corporate ranks had closed…
The world of bootlegging music has come a long way since I bought my first illegal concert cassette from a Walsall market stall. Its lousy artwork, poor recording and incorrect song titles brought their own excitement to my record collection.
Back then, a bootleg of studio outtakes offered an insight into an artist or band that was beyond the control of a major record label, while a live recording was an open ticket to a unique live performance.
All recorded music has elements of live performance – at the very least a vocal with an in- the-box production of beats and textures or a rhythm section in the live room, all the way up to a fully live on-stage concert.
Magic Garden Mastering’s Brian Lucey is a go-to mastering engineer for enhancing and furthering the live human elements of a recording, bringing a wide skill set, eclectic musical tastes and deep sensitivity to every project.
Specialising in sample library recording and the development of virtual instruments, Vienna Symphonic Library has opened the main rooms in a new large-scale, high-end scoring stage and studio complex, Synchron Stage Vienna.
Two SSL Duality δelta analogue consoles, an L500 Live console, and a high-capacity Dante Network via SSL Alpha-Link MX converters and SSL Network I/O products, form the technical backbone of the studio.
Sitting down to write this shortly after the deaths of Lemmy and David Bowie, I’m presented with yet more sad news. I can add Mott the Hoople drummer Buffin Griffin and Eagles front man Glenn Frey to the count of lost talent.
Tony Visconti has posted on Twitter: To the assholes who are saying they're dropping like flies, you nitwits, they are Dying Like Heroes! January seems like a very, very bad month for heroes.
‘I arranged for a crew from another country to go to the Paris studio at five in the evening. They went in and took the console to bits, took the outboard out, wrapped it all up, and were gone by four the following morning. They arrived here in London the next day… installed the console in two days and had it all up and running a week later.’
Seriously? You kidnapped a whole recording studio?
Like a finely crafted sequel, there was a perfect counterpoint between Ray Beckett’s passion for capturing film sound ‘on set’ at last year’s Sound of Story conference and Glenn Freemantle’s jubilance over having to build the soundtrack to Everest almost from scratch. But let’s begin at the beginning.
It’s Brighton, and the Lighthouse arts and culture agency is hosting its second Sound of Story to a full house…
Designed with the joint aims of recruiting talent into programming/game design and establishing museum of games technology, the UK National Videogame Arcade (NVA) is a unique educational and entertainment resource.
Central to the project is a highly versatile, yet simple to use, technical infrastructure. To provide it, system designer/installer Rob Harris used a selection of Yamaha’s Commercial Installation Solutions systems.
With Apple promising ‘the future of television’ with the latest-generation Apple TV, the race is on for music streaming services to get onboard. Being Apple, this isn’t easy, but Mixcloud has secured an early win for its 13m monthly listeners.
Ahead of SoundCloud, Deezer and Spotify, Mixcloud looks set to help shape broadcast’s latest reinvention along with its streamed delivery, multi-device integration and new control models.
For some of us who grew up with the rigours of analogue tape multitracking, the term ‘infinite tracks’ has never really lost its shock value.
From a time when tracks were among studio recording’s most valuable resources – and played a quantifiable part in determining the recording process both practically and musically – they’ve become a cheap digital commodity. We think we want more of them.. but we may be a whole lot better off with far fewer.
Nicolas Becker is a leading French Foley artist and sound designer, with credits on hundreds of top-flight movies. Highlights such as Batman Begins, Gravity, Harry Potter and the Goblet of Fire, The Impossible, Hellboy II: The Golden Army and a string of collaborations with Roman Polanski stand out on an extensive CV.
Now well-known and sought-after in Foley and sound design, Becker flaunts a willingness to engage with the creative brief of a project.
Commenting on the former BBC Top Gear team reuniting for Amazon’s internet TV enterprise, presenter Richard Hammond enthused over making a programme ‘about a rapidly-changing industry from within another rapidly-changing industry’.
An astute observation, as both broadcast and the motor industry are in major periods of flux. Whether he is specifically aware of the impact of AES67 on broadcast, however, is unlikely.
Copyright © 2010 Fast-and-wide.com. All Rights Reserved. Contact Fast-and-Wide