Altec A7‘When we started in 1973, there were no loudspeakers, there were no mixers, there were no radio mics, there were no miniature mics that were made specifically for theatre use,’ recalls Autograph Sound Recording’s Andrew Bruce.

The breakthrough for loudspeakers came in 1980 with the release of Meyer Sound’s UPA – that and and The Godfather of Theatre Sound stepping in to champion its potential…

Temple Beth IsraelWith an increasingly technology-savvy congregation, Melbourne’s Temple Beth Israel is the first synagogue in Australia to stream Shabbat services online. But that same awareness meant that the failing sound system needed to be replaced.

Poor directional control and speech intelligibility, and the inflexibility of the infrastructure limited the development of new services and events. The time was right to improve the usability of the Synagogue’s sanctuary spaces.

National GamesThe sound systems required for the Opening and Closing Ceremonies at the recent National Games 2015, held at the Greenfield Stadium in Kerala during February, reflected both the scale and importance of the event.

In keeping with the event’s stature, responsibility for the live sound and feeds for broadcast coverage of the event fell to leading sound reinforcement and turnkey audio systems specialist, Sound.Com.

Canbrerra AirportAirVolution is the largest private sector investment in Canberra’s history – a massive $480m redevelopment of the city’s airport that has won it the accolade of Australia’s Airport of the Year.

Part of the project is an innovative A/V installation from Rutledge AV that uses the best of Tannoy’s digital beam steering technology that covers the airports 55,000-sq-m, providing announcement and emergency services.

Question de Son

Recreating the vibe of classic recording studios of the 1970s posed both acoustic and monitoring challenges for Question de Son studio owners Jordan Kouby and Frederic Vectol.

‘Many recording studios are trying to face the record industry crisis by simplifying their installations – gear, maintenance, less investment, essentially in-the-box mixing. At Question de Son, we resolutely try to go the other way.’

HrafnFor his latest project, pioneering sound recordist and sonic sculptor Chris Watson turned his attention to the seldom-heard phenomenon of ravens gathering to roost, creating a unique audio experience deep in Northumberland’s Kielder Forest.

Led by a guide sharing ancient raven lore, the audience entered the deepest part of the wood where, with darkness falling, the air suddenly filled with the sound of two thousand birds arriving in the canopy overhead...

The ChurchMore than the cocktail bar, more than the architecture, more even than the vintage instruments on display or the immense Neve mixing desk that dominates the room, there is a buzz here. Even among the prestige recording studio parties of past years, this feels special.

The church setting is somehow significant... something precious has been saved and everyone present knows it.

160 Massachusetts Avenue centreClaiming to be  ‘one of the largest, most progressive and versatile professional audio teaching/production/performance complexes in the US’, Berklee College of Music has opened its 160 Massachusetts Avenue centre in Boston.

More than three years and US$100m in the making, the facility occupies four floors in a striking, 16-storey building housing ten studios from the Walters-Storyk Design Group.

With the reopening of The Church and F&W’s interview with Miloco’s Nick Young, the history of London’s recording studios makes good and topical reading. First published 1997, this exploration of it origins, its equipment and the engineers who tracked the music that they produced, gives a unique perspective. It begins here:

On the 50
th anniversary of the APRS, Tim Goodyer and Dave Harries trace the origins of London’s recording studios and its music recording scene.

The Great Gallery of EvolutionRe-opening on its 20th anniversary, the Great Gallery of Evolution at the French National Museum of Natural History in Paris seeks to offer a ‘hi-fi’ audio experience throughout.

Going beyond the familiar sound system design process, this features site-specific loudspeakers that have been devised to provide performance and specifications that were not to be found in any manufacturers’ catalogue.

Formula EThe FIA couldn’t have asked for more when Nicolas Prost and Nick Heidfeld collided on the final corner and allowed Lucas di Grassi to win the inaugural Formula E fully-electric single-seat race.

After 25 laps of the 3.44-km Beijing circuit at speeds topping 250mph, the race had proven Formula E’s ability to deliver the performance and drama of high-performance combustion engine racing.

TwitterGoogle BookmarksRedditLinkedIn Pin It An independent news site and blog for professional audio and related businesses, provides a platform for discussion and information exchange in one of the world's fastest-moving technology-based industries.
Fast Touch:
Author: This email address is being protected from spambots. You need JavaScript enabled to view it.

Fast Thinking:Marketing:  This email address is being protected from spambots. You need JavaScript enabled to view it.
Web: Latitude Hosting