Providing the sound services for such entertainment industry events as the Golden Globes, Academy Awards Oscar nominees luncheon, Director’s Guild Awards, American Cinema Editors’ Eddie Awards, Visual Effects Society awards, and the Clive Davis Pre-Grammy Party, Encore Event Technologies had very specific equipment requirements. To meet these, the company has purchased Meyer Sound Leopard linear sound reinforcement system and Yamaha Rivage PM10 mixing console.
As the hotel’s resident production services provider for the world-renowned International Ballroom of the Beverly Hilton – where these events are held – Encore serves more than 300 events annually.
The audio system for each must provide good speech intelligibility for up to 1,100 guests, along with the horsepower for live music, often from A-list artists. In addition, it has to deliver the high-impact associated with blockbuster Hollywood soundtracks. All these factors were taken into account by Rachel Wolfe, Director of Event Technologies at Encore’s Beverly Hills location, in making her selection of the Leopard-based system.
‘We had a Meyer Sound Mica system in here for about ten years and we were pleased with its performance, but I felt like it was time to invest in newer, updated technology,’ she says. ‘I’d heard Leopard at other venues and was convinced it was the right choice. The power and clarity are all I expect from Meyer, and Leopard’s wide coverage works well with the shape of the room. Also, the slender profile of the arrays is visually appealing and fits in well with our other staging requirements.’
Clint Rowland, a freelance FOH engineer frequently contracted by Encore to mix events at the venue, admits he was both excited and hesitant when the Leopard system made its debut: ‘I was somewhat nervous because I had relied on the Mica loudspeakers for the six years I had worked here,’ he confesses. ‘But I was relieved and excited when I first started pumping music through it.
‘I was even more impressed when they put up a podium mic and then walked around with a wireless lav. This is a tricky room to work in, with a low ceiling that’s covered with video and lighting gear, and layout changes drastically with different events. But Leopard is giving us great sound and superb gain before feedback.’
Provided by Chicago-area integrator TC Furlong, the new system uses dual arrays of six-each Leopard line array loudspeakers and supplemented by four 1100-LFC low-frequency elements. The complete set-up also includes 11 UPJ-1P VariO loudspeakers and four UPM-1P loudspeakers, one MM-4XP self-powered loudspeaker and four MJF-210 stage monitors.
Jack Hayback, another regular freelancer at the venue, appreciates the accolades he’s received from clients regarding the sound quality at recent events: ‘We’re getting rave reviews for Leopard and 1100-LFC. There’s just so much clarity from top to bottom, and the high-frequency response is so well controlled and predictable. It’s just a fantastic box, and we’re all enjoying it.’
For his part, Rowland is happy that the full spectrum of programme material and output levels is served: ‘It doesn’t matter if we’re doing a corporate show with talking heads, or a fundraiser with A-list bands, or an awards show,’ he says, ‘The volume level does not affect the tonality. You can mix a low volume presenter and then move to a dinner band, then on to a full rock performance or action movie soundtracks. Whatever you do, the system behaves in a linear fashion. You don’t have to push it to a certain volume to get the sound you want. You get ‘power without the pain’ as one of my colleagues likes to say.’
The recent audio renewal by TC Furlong also included installation of a new Yamaha Rivage PM10 digital mixing console. Other production technology available from Encore at the International Ballroom includes six Christie Roadster 14K HD LCD projectors, a permanent lighting grid with over 350 fixtures (moving lights from Vari-lite, Quantum and GLP), and high-speed networking including SMPTE fibre-optic connection.
