‘Using L-ISA fits like a glove. It’s a powerful combination of hardware and software together. It was easy to adopt, and we love working with it,’ says

Among the most visited cities in Turkey, the excavated remains in Ephesus reflect centuries of history. The city is home to the Temple of Artemis, one of the Seven Wonders of the Ancient World, and the Theatre of Ephesus, which could hold up to 24,000 spectators. Today it offers the Ephesus Experience Museum, where L-Acoustics L-ISA immersive audio helps transport visitors through its past.

Carolina Vallejo is producer at the museum, as well as being Creative Producer at experiential art collective Marshmallow Laser Feast, whose work explores the understanding of human perception and experience.

DEM Museums has created the Ephesus Experience to tell the story of the ancient city in a very modern manner. ‘The experience imagines life in ancient Ephesus and audio is crucial to plunging visitors into that narrative,’ Vallejo says. ‘Technology is our medium. We create immersive experiences using the most innovative technologies. We’ve found that using L-ISA shortens our workflow, making it easy for us to create immersive soundscapes. The quality of the L-Acoustics speakers makes L-ISA technology the obvious choice.’

Composer and Sound Designer James Bulley created an expansive and immersive audio world, drawing on in-depth research with historical specialists. The cinematic soundtrack features composers such as Thomas Newman (American Beauty, Shawshank Redemption) and Nainita Desai (For Sama). The narrative is performed by actors David Schofield (Gladiator, Pirates of the Caribbean) and Olivia Williams (The Crown, The Sixth Sense).

To bring it all to life, Turkish L-Acoustics Certified Provider Asimetrik worked with Marshmallow Laser Feast and L-Acoustics Application Engineer, Willi Klein to design a 360° configuration that would provide an immersive sound experience for visitors as they make their way through the three different rooms of the museum.

The configuration comprises 71 5XT placed in the ceilings, dotted around the walls at ceiling and body height, or placed on top of and at the base of several pillars covered in video screens. Twenty-eight X8 coaxial speakers are placed around the walls at ceiling height, and in the main room, a corner-mounted cluster of one A10i Focus and one A10i Wide provide extra power.

Three KS21 and four SB15 subwoofers provide low-end extension, and the system is powered by 7 LA7.16i amplified controllers.

‘It was great working with the team at L-Acoustics,’ says Vallejo. They supported us in our creative process and ensured the museum’s team was trained and ready to support the system once the Museum opened.’

For Asimetrik Project Engineering Manager Buğra Kezan, this project proves that technology is a great way to bring history to life. ‘We have been working with DEM Museums and we introduced them to L-ISA immersive audio for their very first project,’ he says. ‘They were already dreaming of offering a have a new, immersive audiovisual experience at Ephesus.’

‘L-ISA was the perfect choice for this new kind of museum experience; it facilitated the creative workflow, was easy to integrate, and offered the best audio experience.’ The museum team have navigated without technical hiccups, and according to Kezan, the experience is ‘the delight of visitors from around the world’,

More: www.l-acoustics.com