Before expanding into, and later retreating from, additional premises in Guillemot Place, Livingston Recording Studios set up in 1960s London as a film dubbing studio with a nice turn in folk recording. Relocating to St Johns Hall in North London in 1980, it subsequently became one of London’s leading recording facilities.
In 2012 Livingston came under the Miloco studio umbrella, and has recently completed a refurbishment that puts it right back at the top.
Officially known as the Zakaria Paliashvili Tbilisi State Academic Theatre of Opera and Ballet, Georgia’s Tbilisi Opera and Ballet Theatre has re-opened its doors following a comprehensive six-year refurbishment – including that of its audio infrastructure.
The project – which began in March 2013 – was handled by German systems integrator Salzbrenner media, and includes sound mixing, routing and comms.
A distinctive addition to Mexico City’s architectural profile, a striking seven-storey building is the new home of Estudio 13.
Featuring a three-storey glass wall and dramatic, balcony-like profile, the facility has been designed by WSDG to house the triplex 7,000-sq-ft recording facility – two full control rooms and ettendant live recordingrooms, and a Piano/Rehearsal Room featuring a Bösendorfer Imperial piano.
True Memoirs of an International Assassin stars Kevin James as an accountant who writes a book about a fictional killer-for-hire – which his publisher mistakenly prints and sells as a true story, thrusting him into a life of danger and hiding.
Necessarily, this involves helicopter and car chase scenes – often difficult for audio capture. For True Memoirs, the production team turned to DPA Microphones’ d:screet 4098 Supercardiod Microphone.
With areas of the internet awash with harsh criticism of Avid’s present business direction, I met with an Avid spokesperson to discuss the company’s position. A frank and healthy conversation later, we’d agreed to follow up for a post on F&W – with sight of copy before posting.
Having arranged the meeting, Avid’s PR agent then reported that he wasn’t ‘really in a position to comment’. After a promising start, the corporate ranks had closed…
All recorded music has elements of live performance – at the very least a vocal with an in- the-box production of beats and textures or a rhythm section in the live room, all the way up to a fully live on-stage concert.
Magic Garden Mastering’s Brian Lucey is a go-to mastering engineer for enhancing and furthering the live human elements of a recording, bringing a wide skill set, eclectic musical tastes and deep sensitivity to every project.
Specialising in sample library recording and the development of virtual instruments, Vienna Symphonic Library has opened the main rooms in a new large-scale, high-end scoring stage and studio complex, Synchron Stage Vienna.
Two SSL Duality δelta analogue consoles, an L500 Live console, and a high-capacity Dante Network via SSL Alpha-Link MX converters and SSL Network I/O products, form the technical backbone of the studio.
‘I arranged for a crew from another country to go to the Paris studio at five in the evening. They went in and took the console to bits, took the outboard out, wrapped it all up, and were gone by four the following morning. They arrived here in London the next day… installed the console in two days and had it all up and running a week later.’
Seriously? You kidnapped a whole recording studio?
Designed with the joint aims of recruiting talent into programming/game design and establishing museum of games technology, the UK National Videogame Arcade (NVA) is a unique educational and entertainment resource.
Central to the project is a highly versatile, yet simple to use, technical infrastructure. To provide it, system designer/installer Rob Harris used a selection of Yamaha’s Commercial Installation Solutions systems.
One of the big film events of 2013, Gravity is a genuinely exciting event in cinema viewing, and possibly even more so in cinema craft – from cinematography, to visual effects, to sound...
Starring Sandra Bullock and George Clooney, and directed by Alfonso Cuarón, the film tells the story of a disastrous space shuttle mission to service the Hubble telescope that leaves Stone and Kowalsky stranded in space.
Featuring performances from Imogen Heap and the Junge Deutsche Philharmonie orchestra conducted by Jonathan Stockhammer, Sennheiser recently presented an ‘extraordinary’ concert at London’s Central Hall Westminster.
Kicking off Sennheiser’s Reshaping Excellence campaign – and marking Sennheiser’s 70-year history – it set oput to demonstrate the potential of 3D immersive audio.