Marking its 18th year, the Teenage Cancer Trust (TCT) held its annual week of shows at the Royal Albert Hall to raise money for young people affected by cancer. The event was one of the strongest line-ups to date, with UB40 (featuring Ali, Astro and Mickey), Nile Rodgers & CHIC, The Courteneers, Kasabian, Def Leppard, comedian Russell Howard and charity parton Roger Daltrey as headliners.
Previous years’ performances by artists including Noel Gallagher and The Who have yielded live album and DVD/Blu-ray releases, so recording the shows in the highest-possible audio quality remains a high priority. Given the charitable nature of the concert series, and the fact that shows are often recorded in a speculative manner with no confirmed release or platform in mind, however, being able to capture shows cost-effectively is also critical.
In the run-up to this year’s events, Gareth Johnson from Stand Alone Productions sought a portable recording system to record the shows for possible stereo and surround mixing, broadcast and commercial release – meaning that 48kHz, 24-bit audio capability was essential. The system also needed to be conducive to quick-learning by individual acts’ FOH engineers, and hence incorporation into their various workflows.
Johnson was aware of the JoeCo brand when his search commenced, and it soon became evident that he had a potential solution. The mission-critical-ready multitrack recorders ‘certainly seemed to be saying the right things, so it was really a matter of being certain of their reliability. JoeCo was confident in the products, and a week before the shows we sent them some drives to test. They ran them full on for a couple of days and there were no problems at all, which reassured us.’
Consultation with JoeCo led Johnson to determine that a pair of BlackBox BBR64-Madi recorders – each of which can record and replay up to 64 channels of Madi data in a unit occupying just one unit of rack space – would get the job done with capacity to spare. ‘Shortly before the concerts everything was shipped down to the Royal Albert Hall, we pressed record, and I am glad to say that everything worked out well. I am very happy with the quality of these recordings.’
As the week of shows progressed, Johnson was impressed by the ‘straightforward, no-nonsense nature’ of the BlackBox recorders– a real asset when it came to managing the quick turnarounds between shows and sound teams. The ability to use the BBR64-Madi’s USB port and quickly drop recordings onto Stand Alone’s drives at the end of each evening was also welcome: ‘There was no long waiting around for a backup – it was just ‘grab the drive and go’, which was great.’
Some of the visiting engineers were already familiar with JoeCo, but across the board Johnson reports that they were ‘really impressed with the recorders’ ease of use’. Johnson himself says the BlackBox units ‘saved the charity a lot of money and made my life easier’, to which extent he is now looking forward to trying out the forthcoming JoeCo Cello desktop audio Interface with a view to using it within his own room at Metropolis Studios in West London. ‘If it sounds as good as JoeCo’s other stuff, I can’t wait to give it a whirl.’
More: www.joeco.co.uk
