A new high-end, fully-commercial studio based in Sydney, Universal Music’s Forbes Street Studios has installed a Solid State Logic AWS 924 δelta hybrid mixing console and DAW controller for tracking and mixing.

Universal Music’s Forbes Street StudiosSupplied by Amber Technology, the desk is the centrepiece of the facility’s SSL Room, which is one of a number of media production spaces within the full-service environment for discerning musicians, producers, labels and content creators. Designed by Michael Fronzek of Sound Spaces, the is open to all-comers, not just Universal Music artists. Accompanying the SSL Room, are a 45-sq-m Live Room, the inspiration-ready Writing Room, the video-savvy Edit Suite, and the broadcast-friendly Interview Room.

‘The SSL Room has the AWS 924 console and Barefoot MiniMain12 monitoring,’ says Forbes Street Studio Manager and mix engineer/producer, Anthony Garvin. ‘The Live Room has very neutral acoustics and lots of natural light. We can cater for at least ten players, depending on the type of ensemble, and you can get great recordings of almost anything in that space.

‘I think the Writing Room is modestly named. It’s got lots of interesting gear in there, and most recently has been used for the vocal recordings and mixing for The Voice Australia. The Edit Suite has all the Audio-over-IP gear for radio interviews, and it’s got Media Composer, Adobe Creative Suite, Pro Tools and so on, so it’s another small writing space for recording from the Interview Room, or for video editing jobs, for example.

‘A few weeks ago, Universal was hosting a media day for The Voice Australia,’ Garvin offers. ‘They had Boy George, Seal, Kelly Rowland, and Delta Goodrem all in the building, and for part of the day they were doing AoIP radio pre-records with stations around the country, from the Interview Room. So it allows any artists and clients to fulfil media obligations, without leaving the building, which can be very useful.’

The new SSL 924 combines an SSL Total Recall, SuperAnalogue console with comprehensive Ethernet-connected DAW control, and the new δelta-Control DAW-based automation technology. ‘We were looking at a few different consoles – all the ones you can imagine around that price point,’ Garvin recalls.

AWS 924 δelta hybrid mixing console

‘Several techs that I know and trust all said, “yes, go for the AWS”. In their experience, it was the most reliable console, and I was worried about going too boutique – you just don’t know how much support you’re going to get maybe five or ten years down the line.

‘Of course, everyone loves the preamps. We’ve got quite a few outboard units, and they have been used, but everyone has been very happy with the console preamps.

‘Also, you can step in front of the AWS and figure out 95 per cent of it within about 90 seconds. All of the Engineers coming through the facility have enjoyed that experience – even though they all seem to use it differently.’

This aspect of the AWS – the flexibility to allow operators to work their own way – is something that has emerged at Forbes Street as the client list builds: ‘For monitoring while tracking for example, some will return just a stereo track from Pro Tools, while others will send to Pro Tools from the insert sends and use the insert returns like tape returns, and others will split the board and use a few channels on the mix bus and have Pro Tools come back from there while using the record bus for the recording inputs, and others simulate an inline setup by using DAW control layer to mimic the tape returns – even though they are just control faders.

‘That shows the flexibility of the console. Everyone is doing the same thing in five or six different ways, and everyone gets a result out of it.’

Garvin estimates that studio use so far has been around 75 per cent straight recording and writing sessions, with the rest being other media bookings, including radio interviews, album launches and showcases – and including the recent Cannes Lion 2017 award winning AirNZ campaign featuring musician Ronan Keating and actor Julian Denison. And after only six months in business, the Forbes Street Studios’ satisfied client list is already a healthy roster of the great and the good, including Shawn Mendes, Vera Blue, Tigerlily and Gregory Porter – a creative workload that looks set to continue.

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