image image image image image
Vienna’s mdw installs Lawo audio production console

Among the largest music universities in the world, the University of Music and Performing Arts Vienna (mdw) operates more than nine locations across Vienna, with courses for various instruments, conducting, music education, performing arts and audio engineering.

Recently, the university and Lawo collaborated on the installation of a Lawo mc²56 MkIII audio production console with the A__UHD Core in the mdw’s Tonregie 1 studio, which is now being used to both train students and for daily productions.

Read the Full Story
First pairing for L-Acoustics’ L-ISA and L Series array

Among the most exciting acts currently on the Italian music scene, Coez & Frah Quintale’s album Lovebars recently saw them selling out arenas throughout the country. They chose to use immersive audio for the shows, pairing L-Acoustics’ L-ISA spatial audio with the L Series line array for the first time.

‘The use of L-ISA was a huge upgrade in terms of spatialisation, focus, sound impact and sound definition,’ says Sound Designer Valerio Motta, who worked to help adopt the two technologies. ‘Adding L Series was the icing on the cake. L2 is a huge advance in many ways – small footprint, easy to rig and low weight which is crucial for several hangs in an immersive configuration.’

Read the Full Story
Location recording pilgrimage for Qivittoq

Milan-based renowned pianist, composer and sound recordist, Andrea Manzoni is part of a movement aiming to redefine the musical landscape with an approach that blurs the boundaries of traditional music styles. He recently made a transformative journey into Icelandic wilderness for the sound design of Qivittoq, a theatrical production set in the North Pole of a world rapidly depleting its resources.

Working from a draft script from the director, Manzoni secured a 30-day residency in the remote town of Isafjordur in the Westfjords, in order to make 12 excursions to locations devoid of human presence. Here, he was to capture raw environmental sounds with shotgun mics.

Read the Full Story
The Nature of Spatialisation

Early March saw sound designer Simon Honywill using TiMax SoundHub and TiMax TrackerD4 performer stagetracking to bring spatial treatment to the Paraorchestra performance of The Nature of Why.

Composed by Will Gregory and choreographed by Caroline Bowditch under the artistic direction of conductor Charles Hazelwood, the production is an interpretation of the interview with physicist Richard Feynman asks in empirical terms why certain physical properties occur. Performed within the confines of a 14m circular space on the Lyric Stage at Theatre Royal Plymouth, with 100-120 audience members mingling amongst the players and dancers for each performance this is the first occasion that it has called on TiMax spatialisation.

Read the Full Story
Theatro Marrakech upgrades with L-Acoustics

In 2003, Theatro Marrakech was the first music hall to open in Africa. Today, it ranks among Morocco’s best nightclubs and reckons to offer one of the most exceptional nightlife experiences in the world in the setting of its mainly original décor – a mix of dramatic theatrical and dynamic Moroccan themes.

The 2,000-capacity venue recently installed a L-Acoustics K2 sound system to attract leading international artists inspired by a visit to Omnia Las Vegas. The Theatro management worked with Paris-based nightclub consultant Timothée Renard of the Fox Agency and L-Acoustics Certified Provider Integrator Potar Hurlant for the upgrade.

Read the Full Story

Meeting with the EU Vice President for the Digital Economy, Andrus Ansip, on 29 February 2016, a delegation of employees, employers and civil society representatives united under the banner of the Wider Spectrum Group asked to put culture higher in the implementation of the Digital Single Market as the cultural industries are a core driver for the digital economy.

Wider Spectrum GroupThe Wider Spectrum Group brings together several organisations representing civil society as well as employee and employer representatives to represent the interests of listeners and viewers, workers and businesses in audiovisual, radio, live performances, programme-making and special events.

During the meeting, the WSG underlined that the proposed European legislation on UHF Frequencies is not acceptable because it has left aside the fundamental principles put forward in the Lamy Report and in the opinion of the EU spectrum management administrations so as to secure the future of the Creative Sector.

The delegation – which comprised Media and Entertainment trade unions, content producers, live performance, public and commercial TV and radios, network operators and special event technicians – was testimonial to the rich ecosystem present in the European Audio Visual Model and Creative Sector, and the fact that it relies on frequencies as a key resource. In Europe, the creative industry is the third economic sector strongly contributing to European GDP and employment.

The delegation also highlighted the major contribution being made by the Creative Industry to the EU’s Digital Single Market Strategy. Through increased spectrum efficiency, terrestrial television broadcasters are releasing 30 per cent of their current UHF frequencies for 4G and 5G mobile broadband and other new services. These changes will affect 250 million Europeans who will need to upgrade their television receivers while the wireless equipment needed for special events (such as Euro Cups) and live performance will need to be replaced.

Europe’s strategy for the UHF frequencies must therefore balance the effort and investment to be made by the Creative Industries and consumers by a careful transitional roadmap with adequate funding followed by a long-term visibility at the 2030 horizon. This is commensurate to the long-term investments needed by the industry and the public to replace infrastructure and receivers.

The reference preparatory works marked by the report by Pascal Lamy and the opinion of the EU spectrum management administrations clearly concluded in favour of this balanced approach.

So the Wider Spectrum Group expects to find clarity in the decision on regulatory certainty regarding access to spectrum below 700MHz for television broadcasting for the foreseeable future (until at least 2030) – this certainty is also important for radio which shares the same infrastructure for its vital access to neighbouring bands; as regards the 700MHz band, some Member States will need until end of 2022 to achieve the transition without black screens and excessive burden for the consumer – as set out clearly in the RSPG Opinion on UHF; furthermore, the group requested not to threaten the frequencies used by PMSE and live performance by an excessive focus on LTE-Broadcast when the introduction of such system is already possible in telecommunications bands and not planned.

The Wider Spectrum Group underlined to Vice President Ansip that the stakes are especially important for the Digital Single Market: the Creative Industry is a leader in producing, creating and distributing European contents in linear and non-linear modes to a variety of devices. In the global digital competition, it is Europe’s decisive asset and the guarantee to pluralism and public service.

More: www.widerspectrum.org  

Fast News

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100

Featured Video

 

Vintage King
Neve 8068 restoration

 

Fast-and-Wide.com An independent news site and blog for professional audio and related businesses, Fast-and-Wide.com provides a platform for discussion and information exchange in one of the world's fastest-moving technology-based industries.
Fast Touch:
Author: This email address is being protected from spambots. You need JavaScript enabled to view it.

 
Fast Thinking:Marketing:  This email address is being protected from spambots. You need JavaScript enabled to view it.
Web: Latitude Hosting