The A/V system in the VD5T was designed and installed by Zagreb-based Tehnozavod-Marusic, using on SymNet open-architecture DSP technology to perform routing logic and audio processing. Among the visual components of the system are a virtual reality system, a water projection screen, a 3D digital cinema projection system and a fog machine. In any timeframe, such a project would be challenging, but Mario Srbis – head of the A/V Department at Tehnozavod-Marusic who led the installationt team – and colleague Petar Klicov had only two months to install, program and tweak the system in time for the tourist season.
‘The reliable hardware and intuitive programming software of Symetrix’ SymNet and SymNet Designer were indispensable,’ Srbis says. ‘It really helped us finish this job on time. In all, three rooms required A/V systems. The first, a modest World Network room, needed only internet infrastructure and a modest in-ceiling audio system. The 3D Cinema and the Show Room were considerably more involved. In the off-season, the 3D Cinema serves as Dubrovnik’s only theater of its kind.
‘The sound in Cinema Room is exceptionally clear, with even coverage from the front row to the back, from the left to the right,’ he continues. A great deal of effort was involved in calibrating the sound system, aligning speakers, setting delays to achieve the best possible frequency response at each of the room’s 104 seats. The SymNet 8x8 DSP, with a SymNet BreakIn12 and a BreakOut12 to augment the input and output counts, was the ideal processing system for such a job. SymNet gave us the flexibility and the horsepower to handle the 5.1 playback system, together with the multiple language outputs, and to permit several input sources for greater flexibility of the space.’
The room uses KCS cinema speakers powered by Ecler amplifiers. In combination with two KCS C-218-A subwoofers, vibration chairs add to the realism of the presentations or, in the off-season, studio movies. Srbis and Klicov modified Euroseating chairs with Clark Synthesis tactile speakers tweaked by SymNet processing. The ‘chair’ output feeds a DAS Audio processor to add delay to each of the ten rows such that the entire low-end system, including the subwoofers, is time aligned and consonant. Tri-amped KCS-7802 full-range boxes handle the rest of the audio spectrum.
Srbis gave the VD5T the ability to play nine or ten languages simultaneously. The main show in the cinema room, Time Machine, was produced with stems for music and sound effects that are separate from the voice-over narration. The former send to the 5.1 system and the latter send to a Bosch Integrus infrared wireless system. Visitors select their preferred language and then listen through Sennheiser headphones. To avoid a jarring disconnect between the music and sound effects, which clearly emanate from outside the listener’s head, and the narration, Srbis and Klicov cleverly recorded the narration using a Bruel & Kjaer Head and Torso Simulator. The resulting sonic imprint ‘externalises’ the narration when the users wear headphones and makes the presentations at VD5T aurally seamless.
The Show Room system is similar to that of the Cinema Room, most notably employing the same separation of narration from everything else. DAS Audio Avant active loudspeakers deliver the music and sound effects, and a SymNet Express 4x12 Cobra DSP provides the input processing, routing logic, and output processing. Srbis used an AudioScience ASI6316 CobraNet soundcard to inexpensively extend the Show Room’s output count. Stardraw and AVIT touchscreens provide control, via the SymNet DSPs, of the entire system. Most importantly, operators can shift from multi-lingual to mono-lingual mode or from museum mode to standard-cinema mode at the touch of a button.
More: www.tehnozavod.hr
More: www.symetrix.com
More: www.kcsspeakers.com
More: www.dasaudio.com
More: www.ecler.com
