The demands of production sound mixing on reality shows, documentaries, commercials and scripted productions include particularly versatile mics. For Rado Stefanov, the solution is DPA for performance and durability.
As one of the first to push for and beta-test the company’s d:screet Slim Microphone, Stefanov has turned to the mic for his various projects requiring near invisible miking solutions. His work focuses on mixing reality-style television shows, including Pawn Stars, Counting Cars and Deadly Possessions. He also works on documentaries for Vice, HBO, UFC, Fox Sports 1 and Showtime boxing.
Working with fighters requires dialogue capture while moving through a multitude of uncommon filming conditions: ‘I feel confident miking fighters in the ring thanks to DPA’s plastic concealer for the d:screet Slim,’ he says. ‘It protects the mic from damage and expedites my miking process.’
He also values the confidence the mics provide when working in noisy Las Vegas locations: ‘Many producers will say they prefer to use boom microphones as opposed to lavaliers, but what they don’t realise is the bodyworn mics from DPA will always sound better than booms when used in noisy, uncontrolled locations,’ he explains. ‘As far as sound quality is concerned, all the DPA miniature microphones produce sound quality that is on par with traditional booms, while also reducing background noise.’
For Stefanov, reality and documentary productions dicate the use of miniature microphones: ‘I don’t like to use boom microphones in busy areas, like Las Vegas [where I am based],’ he says. ‘I don’t want to attract attention by waving a boom up in the air. Also, it is better for the cameras because you’re not in the frame all of the time. You can move freely and can also be on the sides of the shot without attracting any attention.’
Stefanov says that an ever-increasing range of wardrobe challenges also comes with the territory: ‘One day I am at a pool party and I have to mic a bikini model, and the next day I have to mic a chef in a very noisy kitchen,’ he says. ‘Pretty much all of the work I do requires consideration of the wardrobes – the mic goes from a bikini top, to a silk suit, to a chef’s coat and then onto a tight t-shirt on a muscular UFC fighter. I am able to easily hide the mics in all of these filming scenarios while maintaining quality audio, thanks to my d:screet Slim.’
More: www.dpamicrophones.com
