With their blend of pop, hip-hop and R&B, TLC have racked up more than 65 million worldwide record sales. Recently, they drew more than 7,000 fans to a live show at the Red Rock Hotel and Casino in Las Vegas – the venue’s biggest show to date.
‘Converting a poolside area into a top-tier concert venue for 7,000 people is no small affair,’ explains Larry Hall, HAS Productions founder and President. ‘It’s mostly about getting the perfect balance of output, fidelity, and coverage while simplifying the load-in to show-time process as much as possible.’
For TLC, HAS Productions selected Vue al-Class line arrays and hs-Class subs. The main PA comprised LR CST hybrid clusters, each consisting of eight Vue al-12 large-format elements, augmented with four medium-format al-8 elements providing down fill. The hybrid configuration took full advantage of Vue’s unique Continuous Source Topology (CST), allowing Hall and his team to achieve precise vertical coverage, lower hang weight and improved sightlines without the sonic disruptions associated with typical mixed-element arrays.
‘This is where Vue’s CST enabled arrays really shine,’ Hall says. ‘By combining different sized al-Class elements into hybrid arrays, we have a lot of creative freedom to address everything from SPL and coverage to sightline and weight, while being fully confident that voicing is always consistent. My Vue al-Class systems are by far the most versatile additions to my inventory yet.’
Low-frequency support was also Vue. A total of 12 Vue hs-221 dual 21-in ACM subwoofers spanned the front of the stage in a pair of physical gradient (arced) end-fire directional arrays. The configuration produced optimal directional characteristics with excellent low-frequency cancellation on-stage, while ensuring wide and smooth radiation throughout the audience areas.
VueDrive Systems Engines provided all power and processing for the line arrays while on-board VueDrive electronics powered the subs. A pair of Avid Venue Profile mixing consoles handled both FOH and monitor mixes.
‘No matter how hard I leaned into the Vue arrays they always had more to give,’ says FOH engineer, Brian Pomeroy. ‘Especially at the high-end, which was so clean and powerful. It never even got close to breaking up. And the subs just rocked. Top to bottom, Vue really impressed.’
