Built in 1926 as a planetarium and since converted into a concert hall, Tonhalle Düsseldorf has since earned worldwide recognition for its exceptional acoustics. When the hall’s aging sound system began experiencing critical failures, the opportunity was there to install an audio system worthy of a venue approaching its centennial without compromising its legendary acoustic integrity.
Today, the venue serves as home to the Düsseldorf Symphony Orchestra while hosting an eclectic mix of classical, rock, pop, comedy and cabaret performances. The upgrade came through a competitive EU-wide public tender won by Integrator Thomann Audio Professional. Following a system design developed by consultancy firm Bühnenplanung Walter Kottke Ingenieure (BWKI), integrator Thomann Audio Professional executed the installation of a comprehensive L-Acoustics solution that positions Tonhalle Düsseldorf to attract the world’s most demanding artists and production teams.
The technical brief was uncompromising: Tonhalle Düsseldorf required a powerful, rider-friendly sound system that could satisfy touring engineers across every genre while respecting the hall’s classical music heritage.
‘L-Acoustics’ L2 was our recommended route for two compelling reasons,’ says Florian Denzler, Head of Department, Sound & Theatre Technology at Thomann. ‘Its relatively compact design and, perhaps more importantly, its cardioid dispersion pattern. Cardioid dispersion delivers significant acoustic improvements on stage, which is especially critical for classical concerts requiring sound reinforcement. Given Tonhalle Düsseldorf’s strong classical programming alongside its need to accommodate every genre, L2 was the obvious choice.’
‘From the beginning, our objective was to preserve Tonhalle’s acoustic while introducing a rider-compliant reinforcement system,’ says Jürgen Meyer, project lead at BWKI. ‘L2’s cardioid capabilities gave us the control we needed to minimize stage spill and maintain the hall’s celebrated natural sound field.’
The cardioid pattern proved essential for managing the complex acoustics of the venue’s centerpiece space: the dome-shaped Mendelssohn Hall. With 1,854 seats spread across a 36m diameter and soaring 30m high, this 17,000m³ volume presented formidable coverage challenges that conventional systems simply couldn’t address with the required precision.
BWKI’s design process relied on Soundvision modelling to achieve comprehensive coverage throughout the challenging space. The planning phase, led by Meyer at BWKI, in collaboration with Martin Rode at L-Acoustics, used Soundvision’s precision to account for every seat in the venue before a single cabinet was hung.
‘Soundvision was this project’s most important tool,’ notes Denzler. ‘We needed a system that we could deploy quickly and accurately. This wouldn’t have been possible without Soundvision.
The team faced additional complexity beyond coverage mapping. During classical performances where the main sound system often remains unused, the subwoofers needed to disappear entirely from sight. The solution was to mount the subwoofers on a chain hoist system above the stage, allowing them to be lifted through a flap in the sound cover when visual aesthetics take priority over reinforcement.
The project moved fast. The team had just two months to design the entire system between November 2024 and January 2025. Tendering and award wrapped up in February, then construction ran from mid-July through the end of August 2025.
The final installation showcases the versatility of L-Acoustics L Series. The main PA comprises one hang of L2 and L2D per side, with a center array of three KS21i subwoofers in cardioid configuration. Eight X4i are integrated into the stage edge for in fill, while side fill is managed with two hangs of one A10i Focus over two A10i Wide. Under-balcony coverage is handled by 12 X6i speakers while one A10i Focus and one A10i Wide per side, deliver sound to seating behind the stage. Six LA7.16i amplified controllers power the complete system.
The installation operates on Milan-AVB. Two system configurations accommodate different stage sizes, accessible through a Universe Control system for seamless transitions between performance types.
To further streamline daily operation, Thomann integrated its Universe media control platform, enabling the Tonhalle team to recall multiple amplifier preset scenarios at the touch of a button. Presets such as Large Stage and Small Stage allow the technical staff to adapt the system quickly ensuring intuitive operation even for non-technical users.
‘Since the new system was designed with Tonhalle Düsseldorf’s primary requirement in mind – the ability to meet a variety of technical riders – we’re confident it will attract the large number of performers and external organisers the hall deserves,’ Meyer concludes.
More: www.l-acoustics.com