Embarking on a world tour following the release of her second studio album, Hopeless Fountain Kingdom, US electropop artist Halsey is accompanied by FOH engineer Simon Thomas (Ariana Grande, Sam Smith, Tracey Chapman) and an SSL L500 mixing console supplied by Eighth Day Sound.

Having previously used the SSL L500 on a Sam Smith tour, Thomas was familiar with the SSL Live consoles. ‘The L200 is a great ergonomic console,’ he says. ‘It’s fast to set up and use, it’s incredibly powerful, and offers all I need in one space `– and the three fader tiles are great.’

The L200 is SSL’s mid-scale Live console, with the same accelerated workflow, feature set, and sound quality, in a more affordable package. It has up to 144 fully processed paths and three independent fader tiles side-by-side.

According to Thomas, the stage line-up for the Halsey tour has some unusual aspects, with two players combining a traditional acoustic drum kit that also incorporates various pads and triggers, and a split keyboard set-up with high, low, and miscellaneous parts played by a single pair of hands. There are five stereo tracks that also need careful handling as the whole ensemble generates complex sub-bass sections. ‘The challenge here is the amount of sub content,’ Thomas says. ‘You have to control it with layers of compression and multiband compression, which is something the SSL is really good at. Parallel bus compressors are great for drums, and the tube effect incorporated into the channel compressors work really well.

‘I was a massive analogue fan, but I think this is better with the amazing FX and the SuperAnalogue preamps.’