SGAudio Aps’ has released v2.6 software for its 10EaZy sound level measurement system, available via the 10EaZy website as well as its automatic update system.
For users of the full 10EaZy system (excluding RT and SW versions), the new software introduces a number of key new features. These include a measurement résumé in an email body that makes it easy to review measurements at a glance – a sentence will state if a limit violation was recorded in the set measurement or not. Creating a mail rule that checks this sentence will make it easy to choose different actions for log files with and without limit violations. An ‘at-a-glance’ measurements summary will be attached to e-mail in the form of a PNG. This image file will have all the key metrics listed with their maximum values, as well as a clear text in either green or red stating if there was a limit violation.
Version 2.6 also provides support for user’s own mail servers. For systems that are not connected to the internet at runtime, it is now possible to use a local mail server. This is mainly relevant for cruise ships and facilities with high security demands on data flow.
The new software also provides access to XML measurement results. This supports customised views and third-party development, as it is now possible to read the XML stream from 10EaZy directly from a browser on the network. The XML stream contains virtually all internal measurements from 10EaZy and enables a multitude of customised views or indicators to be developed and integrated into existing structures.
In addition to the new features there have been updates to the engine room and 10EaZy now also remembers the display status of the RTA display, the secondary Leq screen and the LCeq display.
‘SGAudio Aps’ is extremely responsive to user feedback and, with time, it incorporates such feedback into upgrades like the useful features we see in v2.6, says Andy Huffer of 10EaZy UK main dealer, HD Pro Audio. ‘Through listening to users, 10EaZy has developed into the great product it is today, based genuinely on what sound engineers need.’
