Regarded as one of the most prestigious performing arts conservatories in the world, New York’s Juilliard School has a rich history of artists and a reputation for hgh standards. Among its collection of mics, it now has more than 30 Earthworks models.
‘Our mic locker inventory includes the SR69, SR71, two SR77s, six SR20s and seven SR30/HCs from the company’s Sound Reinforcement series,’ says Chief Audio Engineer, Marc L Waithe. ‘For use with drums and percussion, we also have Earthworks’ CMK4 close mic drum system kit; along with four DK25L live drum mic systems. Our podium microphone is an Earthworks FM500, which the company is retro-fitting for me with a wire-mesh pop screen – making a fantastic microphone even better. Completing the picture, we use the Earthworks PM40 PianoMic when piano amplification is required.’
In addition to being responsible for live sound reinforcement throughout Juilliard’s main performance spaces, Waithe oversees system design, maintenance, mixing, and the training of staff, interns, and students for all aspects of the school’s sound reinforcement requirements.
‘We handle a lot of instrumental miking when called for in the score,’ he notes. ‘Similarly, we use the microphones for Juilliard Jazz, foldback applications such as operas, and a variety of special events. Earthworks’ SR Series microphones provide incredible off-axis response, which enables me to mic the various performers without having to worry about their movement. This way, the performers aren’t restricted by the microphone as they play or sing. The microphones’ extended frequency range captures every nuance – without compromising their artistry.
‘The PM40 PianoMic is one of my favorites,’ he adds. ‘For our big band jazz concerts, the piano is usually positioned next to the drums. Our PianoMic really helps bring out the clarity and beauty of the school’s precious Steinway pianos – without any compromises or hassles. The PianoMic system offers us the freedom to mic the pianos with the lids either up or down, and the fact that the system eliminates the necessity for microphone boom stands makes set-up easier, more streamlined, and also enables us to maintain a consistent sound should the instrument need to be re-positioned.’
'People at Juilliard are among the most discerning listeners in the world – particularly those involved in the classical and acoustic jazz programmes,’ Waithe says. ‘With good reason, they can be very wary of any amplification of the acoustic sound. The Earthworks microphones not only help me translate their musical visions transparently to the audience, they also enable me to expand the perception of just how good their instruments can sound in a live, amplified environment. I love these microphones.’
More: www.earthworksaudio.com
