Since entering the recording and pro audio space several years ago, Sean Price has built ever-more sophisticated iterations of Pricetone Studios in California’s Bay Area, leading to the current facility he designed and largely built himself in Burbank.

Pricetone StudiosRecently, he added a second room for the recording, mixing, mastering, ADR and other services on which Pricetone Studios has built its success. For main monitoring in the newly opened Studio B, Price has employed the Genelec 8250As that have been foundational components of every facility he’s created. ‘In school, we used a ton of different monitors to train on, including Genelec 8240As,’ he recalls. ‘But the best sounding mixes were the ones I did on the Genelec monitors. When I was just starting out, I knew I needed them.’

Pricetone Studios’ main room is dominated by a 130-inch UHD acoustically transparent screen, giving it the heft the facility needs to contend in Burbank’s competitive audio-for-picture industry. Studio A’s 7.1.4 Dolby Atmos array comprises Genelec 8361As for the left and right of the LCR array; 8350As for the centre channel and surrounds, four Genelec 8340As for the overheads, and a pair of 7380A Smart Active Subwoofers – managed by a Genelec 9301A AES/EBU Multichannel Interface, which also expands the 7300 Series Smart subwoofers’ AES/EBU I/O from stereo to eight channels.

Both rooms also share Genelec Loudspeaker Manager (GLM), a software platform that automatically manages levels, distance delays, and frequency balances of more than 80 networked monitors, all in a single intuitive interface, coupled with Genelec’s AutoCal algorithm, which automatically measures, analyses, and adjusts monitor settings and relationships.

Pricetone's Studio A‘Thanks to GLM, I can continue to use all of my Genelec monitors in any configuration,’ says Price, who also designed and crafted all of the acoustical treatment used in the studios, including diffusers, in his woodworking shop. ‘No matter which monitors you want to use, they’ll always be properly calibrated to the room through the GLM software. That’s enabled me to continue to use Genelec monitors for many different applications throughout my career. Monitors I purchased a decade ago still produce consistently excellent results and can still be used in future critical listening scenarios.’

That capability also significantly helps ROI on his monitoring investment: ‘Upgrading by adding new monitors over time never causes existing models to become outdated,’ he says. ‘Of all the equipment and technology I’ve ever bought over the years, Genelec monitors have been one of the few things whose cost has been worth every cent and that have only grown in value.’

More: www.genelec.com

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