Although Miami’s annual Vous Conference has been taking place for more than a decade, the Vous Church emerged just five years ago from a weekly young adult gathering known as The Rendezvous. Started by Trinity Church in Miami Gardens, Vous Church has grown rapidly since, expanding into two worship spaces – a 1,500-seat auditorium at iTech, Miami’s mega technology magnet high school, and a 500-seat hall at Jose De Diego middle school, two miles to the south.
But the real audience explosion has taken place virtually, especially during the pandemic, with the church now having an average of 40,000 viewers streaming services online each week.
Vous Church Production Coordinator Jon Wygant oversees all church sound, both live and studio, as well as personnel and inventory for the production department. He served on the church’s launch team in 2015 and, since then, has been tasked with keeping Vous’ audio tech up to par. It was this directive that prompted him to contact 3G Productions for a new DiGiCo Quantum338 mixing console primarily for iTech Auditorium.
‘We’ve had a DiGiCo SD9 at each of our locations from the start, and I absolutely love them,’ he says. ‘The SD9 is still a powerhouse for such a small desk, but as we made plans late last year to take our services into an online experience, we decided to upgrade to a console that would better suit our broadcast site’s future needs.
‘As the primary engineer, I definitely spend the most time behind the mixing console, and I knew I wanted another DiGiCo. For ease of use, high-quality sound, and cross-console capability, there’s nothing better. I was initially hoping for something between an SD12 and SD5, so when DiGiCo announced the Q338 in January, it was destiny.’
Wygant says that the biggest appeals of the Quantum338 is its expansive I/O – which includes six onboard Madi ports and two DMI slots – as well as its updated layout and usability. ‘We have a pretty extensive set-up and also want room to grow, and the Q338 was sitting right in that sweet spot. Mixing on this desk is a dream and just so intuitive to operate.’
Aside from several live in-person events, Vous Church’s services now primarily online with the Quantum338 serving more as a streaming console than FOH desk. It is located in a separate room from the church’s sanctuary ‘to keep the mix focused and clean’.
The former FOH SD9 has taken over monitor duties, residing in the main worship space for easy interaction with the praise team, and is used to control IEMs, wedges, and the house/reference mix. With approximately 60 inputs to the house console, the church generally runs 16 IEMs on the monitor mixer – drums, bass, two guitarists, two keyboardists, up to eight singers and two engineers – plus two sets of wedges for those who are speaking.
iTech’s Quantum338 is paired with two Waves Extreme Servers, the first being a standard set-up to run plug-ins for the live mix. The second is to run a Waves eMotion LV1, to which the audio crew sends matrices and some input channels via Dante from the Q338 to create a stream-specific mix. This is based on the house mix with some adjustments to optimise it for the church’s four YouTube and Facebook broadcasts on Sunday, two of which are Zoom Room services where the pastors and musicians can see and interact with their online community via eight large TVs facing the stage.
‘Mixing for streaming is a challenge since it can translate differently with each end-user, but the Q338 is definitely making our lives a lot easier,’ Wygant says. ‘I enjoy bringing some of the same plug-ins that I love in the studio into the live setting, and the desk’s integration with Waves is helping us get our mix to be stream-friendly and sound the best for everyone.’
‘With that said, I do also love the console’s onboard processing,’ he adds. ‘The dynamic EQs are some of my favourite features as they really allow me to aggressively clean up signals while still sounding transparent. On the Quantum line, I am in love with the Chilli 6 and will always have one on my master bus, as well as a few groups. The Mustard processing is also a game-changer, especially the analogue modelled preamps and compressors.’
The church is using DiGiCo D-Racks and Little Blue Boxes to interface both consoles. The SD9 has control of the preamps and outputs, and the team uses Gain Tracking on the Q338, which is equipped with a DMI-Dante card, to output to the LV1. Vous also has a DMI-ADC card in an Orange Box located by the monitor console, allowing 16 additional outputs to be sent to the stage from the Q338, while two DiGiGrid MGB units provide fully redundant multitrack recording.
Wygant shares that the Quantum338 learning curve for their team was ‘really short’.
‘Having personally mixed on many SD-Range consoles, going from one DiGiCo to another is so easy since the worksurface layout essentially remains the same. Plus, 3G, our main pro audio vendor from the start, always provides exceptional system design and installation assistance as well as training and support, bringing us up to speed super-fast.’
Regarding DiGiCo’s newest console, Wygant couldn’t be happier: ‘Our entire team is in agreement that this desk is as smooth as butter,’ he reports. ‘We have a blast collaborating on improving our layout and making new macros, and we’re really loving the flexibility and sound quality it provides. Running services and streams on the Q338 feels almost effortless and mixing on it each week is such a thrill. We are truly blessed.’
