Atlanta Theater's A Christmas Carol

A timely adaptation of Dickens’ A Christmas Carol and the world premiere of Darlin’ Cory find Atlanta’s Alliance Theatre resuming its diverse range of musicals and theatrical productions. With Sennheiser’s Digital 6000 wireless system in play, A Christmas Carol is described by Resident Sound Designer Clay Benning as ‘a huge production’.

‘The last production of a Christmas Carol had run for 20 years, so this is the first time since 1999 that we’ve built everything new from scratch.’

Andrew Benator and Rhyn McLemore in the Alliance Theatre’s new production (Pic: Greg Mooney)As well as his sound design duties, Benning is responsible for audio at the facility’s two theatres. ‘In a typical year, we produce somewhere between ten and 14 productions – these can be plays, musicals or other new works,’ he says.

The Alliance frequently serves as a tryout theatre for Broadway, and 60 to 80 per cent of the shows the Alliance produces are original. ‘Usually, our performances will be the full theatrical productions outside of a workshop. Some of those shows have included A Color Purple, Sister Act, Bring It On: The Musical and Tuck Everlasting.’

‘As far as the audio was concerned, the major thing we had to do was move to wireless microphones for the entire cast, which was not part of our last production of A Christmas Carol,’ he continues. ‘We had been running older Sennheiser wireless for years and it has been great, but considering the shift in the spectrum landscape and the agility of the newer Digital 6000, the time was right to replace.’

Since the prior production of A Christmas Carol enjoyed considerable success at the Alliance, the production team purchased several channels of its own Digital 6000 rather than renting them. ‘We ran the last production for 20 years, and we knew this production would be running for at least ten years, so we decided to invest and amortise the cost over multiple years.’

While the Alliance has long recognised the quality and reliability of Sennheiser wireless, the tipping point to purchase the new system coincided with the introduction of the SK 6212 mini bodypack transmitter. ‘That’s really what we need in a theatrical environment – to be able to hide the transmitter packs in wigs, costumes, and things like that,’ Benning observes.

Aside from the diminutive size of the SK 6212 bodypack, he also appreciates its battery life, which helps make rehearsals more efficient. ‘We can typically run a whole day of rehearsals on a single battery charge with no swaps,’ he says. ‘That has made life easier for my staff because they’re not changing batteries as much and can see exactly how much time is left in the battery. We monitor this through Sennheiser’s WSM, which automatically talks to all the receivers.’

Being Atlanta’s ‘national theatre’ has both advantages and challenges. Atlanta is a major metropolitan sports and media hub, chock-full of RF congestion. ‘We are located in midtown Atlanta, so we are right in the middle of everything,’ Benning says. ‘As a result of the recent frequency repacking, we only have three TV channels available.’

The Alliance’s D6000 racks (Pic: Clay Benning)Since Digital 6000 features intermodulation-free operation using an equidistant frequency grid, this allows the production staff more latitude in finding and locking in frequencies. ‘Because you can pack things in so tight on the Digital 6000, bandwidth hasn’t been a problem and I think we still have room to spare.’

Having more than 30 channels on stage has become a regular occurrence and Benning admits there was a bit of a learning curve involved: ‘Once we had our antenna placement figured out, everything fell into place,’ he says. ‘The thing that I like most is that you don’t hear any of the electronics. There is no companding – the audio is just very clean sounding all the way through.’

Since September 2021, the Alliance has also been running several channels of Digital 6000 wireless to support its production of Darlin’ Cory, which features a significant amount of acoustic music emanating from the stage. ‘There are 12 people in the cast that are wearing SK 6212 bodypacks with microphones, and then we have a fair number of acoustic instruments with pickups given the nature of the show,’ Benning explains. ‘We have three or four acoustic guitars, some mandolin, and some dulcimer. The majority of these instruments are wireless and on the Digital 6000 and they sound great.’

While recent months have been challenging for both the Alliance and its audiences, 2022 presently looks set to be a busy year. With Digital 6000 in place, Benning couldn’t be better prepared: ‘We’ve been using Sennheiser wireless here for a very long time, and of course it’s an industry standard on Broadway. I knew that this system was going to make the most sense for us and we’ve never had any issues with quality, reliability, or support. My preference was to stay with Sennheiser as much as we could.’

More: https://en-uk.sennheiser.com

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