Moog Music has unveiled the Moog Messenger, a compact monophonic analogue synthesiser designed to bring ‘the Moog sound’ to a new generation of musicians.
Available in early summer, Messenger blends analogue synthesis with innovative functionality, like dynamic wavefolding, a next-generation ladder filter with resonance bass compensation, and an intuitive hands-on interface. With its performance-ready design and versatile sound engine, Messenger can become part of any studio, live performance set-up or modular rig.
Building upon the DNA of Moog monosynths such as the Minimoog Model D, Voyager, Grandmother and Subsequent 37, Messenger introduces innovative circuits within a familiar format. Two continuously variable-shape voltage-controlled oscillators (VCOs) with hybrid wavefolders, sync and frequency modulation (FM) capabilities allow the creation of rich harmonic textures and dynamic overtones. A sub-oscillator with a continuously variable waveshape further adds powerful low-end.
The legendary Moog transistor ladder filter has been reimagined with a pole-mixing design, offering four-pole low-pass, two-pole low-pass, band-pass and high-pass responses. The resonance bass compensation (RES BASS) switch preserves low-end power at high resonance settings, ensuring full-bodied sound across the spectrum. The classic response is also available.
A knob-per-function control scheme ensures immediacy and ease of use, allowing musicians to shape sounds instantly without navigating complex menus. A 64-step sequencer with probability-based generative behaviour and parameter recording, along with a versatile arpeggiator offering multiple pattern modes and rhythmic programming, enable real-time composition and dynamic live performance. Two loopable ADSR envelopes with velocity responsiveness and multi-trigger capabilities, along with two LFOs – one variable shape with sync and reset, and one triangle-wave tied to the modulation wheel – provide extensive modulation options for creative sound design. It offers six analogue control voltage (CV) patch points, an external audio input to the filter, expression and sustain pedal inputs, and Midi In/Out via both 5-pin DIN and USB-C, ensuring compatibility with DAWs, modular systems and other hardware synthesisers.
Messenger features 32 semi-weighted full-size keys with velocity and aftertouch, suitable for both performance and studio use. It has 256 presets, offering immediate access to a wide range of sounds and textures.
The Moog Messenger continues the company’s tradition of developing innovative musical tools for forward-thinking artists, and represents an evolution in Moog’s synthesiser lineage. Designed for both aspiring and professional musicians, producers and sound designers, Messenger provides an accessible yet powerful tool for creative exploration.
‘Messenger embodies our commitment to advancing analogue synthesis while staying true to the Moog legacy and innovative spirit of Dr Robert Moog,’ says inMusic Director of Keyboard Product Development, Erik Norlander. ‘Our goal was to create a synthesiser that invites immediate exploration, welcoming first-time players and offering the depth and expressiveness that experienced musicians expect. With wavefolding oscillators, a dynamic shape sub-oscillator, a next-generation ladder filter and comprehensive connectivity, Messenger is as inspiring as it is accessible.’
‘With Messenger, we aim to honour Moog’s rich heritage while embracing the future of analog synthesis,’ adds Moog Music President and inMusic EVP, Chief Commercial Officer, Joe Richardson. ‘This instrument is crafted for musicians and producers seeking a portable, powerful monosynth that delivers the iconic Moog sound, enhanced with modern features and intuitive controls.’
More: www.moogmusic.com