HHB named UK dealer for Immersive Machines
Immersive Machines has appointed HHB Communications as its UK dealer, availing the US company of HHB’s position within the professional audio community and its reputation for technical expertise and customer support.
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Madrid’s La Sala Galileo Galilei refits with A&H
Madrid’s La Sala Galileo Galilei theatre recently completed a significant refurbishment with the aim of improving performance and ensuring versatility and flexibility when using the space.
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Jesus Christ Superstar moves in a silent way in Poland
The Kujawsko-Pomorski Music Theatre in Toruń has ‘reimagined’ the Jesus Christ Superstar rock opera by moving it into an unconventional space and staging it as Poland’s first silent disco musical. At the heart of the production is Klang and DiGiCo’s Quantum 225 Pulse.
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Optimal fit-out for RedX Dance
Requiring coverage over a large studio space and audio fit to inspire dancers, RedX Dance in Bristol recently equipped its Staple Hill studio with Optimal Audio loudspeakers and system management.
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Brighton bars get Penguin Media makeover
Part of the burgeoning 50-plus portfolio of the Laine Pub Company, three central Brighton pubs have recently received a technical overhaul from Penguin Media Solutions – each getting individual treatment from the Martin Audio partner.
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Thåström readies to return to the road with A&H dLive
Swedish singer and songwriter Thåström recently undertook a 14-date arena tour, which ended at the Avicii Arena in Stockholm. Known for his emotionally raw sound and poetic lyricism, the singer drew fans in with an audio set-up based around Allen & Heath’s dLive series and RackUltra FX card.
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SSL provides new broadcast platform for NBCUniversal
NBCUniversal’s Stamford Studios has installed a Solid State Logic System T S400 broadcast audio platform to manage broadcast audio for The Steve Wilkos Show and Karamo daytime talk shows at the 46,000sq-ft, full-service production facility (the former Rich Forum Theater) in downtown Stamford, Connecticut. ‘We’re live to tape and we don’t do second takes,’ says Rob Alexander, the shows’ freelance A1.
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