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From recording, broadcast, postproduction and A/V

Sennheiser at the Munich Kammerspiele

the Schauspielhaus, a single-storey gallery theatre.

Like many of his colleagues, tonmeister Wolfram Schild – Head of Audio at the Munich Kammerspiele, where he has worked for more than 20 years – uses the Sennheiser term Mikroport whenever he refers to wireless audio.

‘We have been using wireless systems from Sennheiser in our theatres for more than two decades now,’ he says. ‘In the meantime, our analogue wireless channels have largely been replaced by modern digital versions. At the Schauspielhaus venue, we replaced the products from the Sennheiser 5000 series with Digital 6000 systems around three-and-a-half years ago. We carried out a similar upgrade at the Therese-Giehse-Halle in summer 2021.

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Our House offers moving experience in Amsterdam

Our House experience

Powersoft’s Mover transducer is at the heart of a new four-dimensional nightlife experience in Amsterdam, where visitors dive the history of electronic dance music from roots to the present.

Located in Amsterdam’s Rembrandt district, Our House has been part of the electronic music scene since the 1980s, and recently became a digital storytelling museum, offering a 75-minute journey into the genre via interactive exhibits, shows and performances. ‘When we came here about two years ago, the place was very analogue,’ recalls General Manager, Jeroen Jansen. ‘There was a sound system, strobes, smoke machine and some LEDS – that was about it. 

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EM Acoustics delivers Fantastically Great sound

Fantastically Great Women Who Changed The World

The new musical Fantastically Great Women Who Changed The World opened in Liverpool in April, and is currently in on a nationwide UK tour with West End aspirations. Described as an ‘inspirational and empowering celebration of our strong sisters from history’, the show is based on the award-winning picture book by suffragette descendent Kate Pankhurst.

Dramatist Chris Bush and Number 1 hit songwriter Miranda Cooper (Girls Aloud, Kylie Minogue) have adapted it into a bright, exciting musical for young people that celebrates female icons in a contemporary, pop context. Sound designer, Rob Bettle, designed a front-to-back EM Acoustics audio system based on EM’s Reference Series loudspeakers.

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DaVinci and the Genius Immersive Experience

Genius Immersive Experience

Berlin’s Genius Immersive Experience is an extraordinary exhibition dedicated to Leonardo DaVinci, offering visitors an interpretation of how he might see and interact with our world today. The exhibition is designed as an immersive, interactive art experience with its sound element provided by a d&b Soundscape system.

Genius Immersive Experience transports visitors into DaVinci’s world of thought; both the images and the soundtrack move with the exhibit. Sound and projection merge to create a multimedia exhibition in which visitors can immerse themselves completely.

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Berklee leads US take-up of new PMC loudspeakers

Berklee College of Music

A donation from the parents of a former student at the Berklee College of Music has enabled it to become the first teaching establishment in the US to install a pair of PMC8-2 monitors. The monitors are installed in Berklee’s main Dolby Atmos-certified Dub Stage where students have the opportunity to mix projects in stereo using the type of high-end equipment that they will encounter in the real working world.

‘This is the first time we have had a pair of PMC speakers on campus, and I am delighted that we can now broaden our student’s awareness of the top tier of monitoring manufacturers,’ says Berklee’s Chair of Music Production and Engineering, Rob Jaczko.

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Fast News

Martin Audio plays strong hand at Sydney’s Bristol complex

Reopening after being closed for four years, Sydney’s former Bristol Arms Hotel encompasses five storeys including restaurants, bars, a nightclub, rooftop and event spaces. Retaining much of its nightclub roots, the Calypso nightclub – its ceiling adorned with 300 mirror balls – is now armed with Martin Audio’s CDD coaxial differential dispersion series.

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Sand and Spectera

The Groningen open-air venue on the outskirts of Meerstad presents event organisers with an unwelcoming cocktail of wind and rain, and also ever-invasive sand. ‘No matter what you do, the sand just gets everywhere,’ says Kasper van der Spoel, responsible for the theatre’s RF equipment at the Zummerbühne Groningen (Groningen Summer Theatre) musical theatre premiere that was recently staged at the venue. Happily, the choice of Sennheiser’s Spectera wireless audio system proved up to the task.

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German colliery reborn as Moto59 Foodgarage with RCF

The former Ewald colliery in Germany’s Ruhr region has taken on a new span of life as the Moto59 Foodgarage. Where miners once worked underground, the Nord Machine Hall of Shaft 7 combines industrial architecture, detailed interior design, and a professional RCF sound system.

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Masque Sound upgrades NYU’s John A Paulson Center

New Jersey-based theatrical sound reinforcement, installation and design company Masque Sound has supplied an extensive gear package for the performance spaces in New York University’s John A Paulson Center performance complex.

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The SSL Channel Strip Guide

Over more than four decades, Solid State Logic has pioneered console innovation, creating a lineage of designs each with their own character, technology and sonic signature. The SSL Channel Strip Guide brings this story together for the first time in a single document, tracing the journey from the 4000 B, E and G Series, through the SuperAnalogue 9000 Series, to today’s flagship Duality Fuse and the Future Analogue Oracle.

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Lyric Theatre Belfast debuts L-Acoustics LISA production

Northern Ireland’s only full-time self-producing theatre and marking its 75th anniversary in 2026, the Lyric Theatre Belfast has become the island’s first to use an L-Acoustics L-ISA Immersive Audio with the world premiere of Denouement, a new drama, written by John Morton and produced in-house.

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NY’s Lincoln Center ensures performances past and future

Since opening its doors in 2004, the Rose Hall at the Jazz at Lincoln Center complex in New York has been the nerve centre for the prestigious organistion’s performance, archival recording and educational programming efforts. Recently, it has seen the installation of an intricate, modular audio production system built around DAD AX64 Next-Gen AD/DA/DD and audio routing interfaces to provide the quality and flexibility requires to preserve the music JALC champions for future generations while also offering audiences new performances.

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