MGSound

A multi-room music recording, film and postproduction facility in Vienna, MG-Sound Studios has marked its 35th anniversary with the installation of a Solid State Logic Duality SuperAnalogue 48-channel mixing console.

Established in a band’s basement rehearsal room in 1988, the facility has a history of SSL consoles, the new Duality having gone into operation in January 2023 replacing an SSL 9000K in MG-Sound’s Control A, the flagship studio in the seven-room facility, where it had been is use for more than two decades.

One of the reasons for the upgrade was that it had become increasingly difficult to maintain the aging 9000K. ‘What really got us into gear was the exploding energy costs here in Austria and Germany,’ says facility co-owner Martin Böhm. ‘Since last year, energy prices have increased substantially here in Europe.’

MGSound's new SSL Duality (Pic: Chiara Hammerer)Duality’s latest generation technology is significantly more energy efficient than that of earlier desks. ‘Energy saving was really a factor, because we’re not only saving with the energy running on the Duality, but also with the cooling, because it generates a lot less heat,’ Böhm says.

Not only was this a shrewd business decision, but the Duality also offered a continuation of SSL’s familiar sonic performance and operation. ‘It was a logical choice because we could have our usual automation, dynamics and EQs that we love so much, and also have the benefit of the remote control of Pro Tools on the Duality,’ Böhm says, ‘It’s the modern approach, because now we do almost everything in Pro Tools. It’s extremely powerful, with delta control; it works great and it’s very well thought out. But I would have expected nothing less from SSL. So it made sense and it’s was modern, logical step. You can easily hear Duality’s heritage in the sound.’

The Duality was purchased through Mario Reithofer at TSAMM Audio, SSL’s distribution partner in Austria. ‘He had already installed several other Duality consoles in the last few years in Austria,’ Böhm reports, ‘including a big one at the Synchron Stage Vienna scoring studio.’

It was also logical to stay with Solid State Logic because of MG-Sound’s long history with the brand. ‘I always dreamed of owning an SSL console, but back then I thought that I would never be big enough to get my hands on a console like this. But never say never. As soon as we could afford it, I bought a 4000 G+ directly from an AES show in 1995 and never looked back.’

Buying an SSL console from an exhibition subsequently became a tradition: ‘Every SSL console, except the Duality, came from an exhibition,’ Böhn says. ‘We installed a 9000J in late ’97 and the 9000K in 2002. And in a smaller composer’s room, we installed an Axiom MT in 2000, which made it to 2012. But there was always an analogue console in our main room because we wanted to separate ourselves from all these midscale studios that tell you that you don’t need analogue and it’s all good to mix in-the-box. It was a good decision, because people saw that we took it seriously.’

The new console is already at work, recently being used to mix a live concert from a German tour, joining sessions by artists, such as the Rolling Stones, U2, Lady Gaga, Céline Dion, Whitney Houston, Bon Jovi and Pearl Jam. ‘Over the years, just by word of mouth, bands that had a day off and were in middle Europe would call us for a session,’ Böhm says.

MG-Sound’s early focus was on postproduction for commercials, which brought in enough money to move out of the basement studio and, eventually, buy the facility’s first SSL desk. Radio and TV commercials and voiceover work continue to be the studio’s bread and butter business: ‘Last year we did approximately 3,500 mixes for commercials,’ Böhm reports.

Over the years, opera stars from Placido Domingo and José Carreras to Anna Netrebko and, most recently, Jonas Kaufmann have also recorded at MG-Sound. ‘We do a lot of classical recording; we can host up to a 65-piece orchestra,’ Böhm says. ‘The Vienna State Opera hosts a lot of opera stars and they usually come to us because of our great microphone collection. I think that Duality will complement that very well with its clean sound.’

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