Synchron Stage Vienna

The 2020 Olympic Games kicked off in spectacular fashion as hundreds of millions of viewers around the world watched more than 1,800 drones light up the Tokyo night sky accompanied by a virtual performance of John Lennon and Yoko Ono’s ‘Imagine’ during the Opening Ceremony.

The instrumental bed for the song, reimagined by Hans Zimmer and his Bleeding Fingers Music scoring composers collective, was recorded through a 96-channel Solid State Logic Duality δelta Pro Station console at Synchron Stage Vienna, in Austria.

Synchron Stage Ttechnical Director and chief recording and mixing engineer Bernd Mazagg worked with producer Russell Emanuel, composer Austin Fray and score supervisor Chris King on the orchestral recordings.

Emanuel is co-founder, president and CEO of Extreme Music and president and CEO of Bleeding Fingers Custom Music Shop. Fray is a Bleeding Fingers alumnus. King works for Bleeding Fingers and Sony/ATV Publishing, where he is senior creative manager. Producer, engineer and scoring mixer Scott Michael Smith mixed the song in LA.

Synchron Stage ViennaWith acoustic and architectural design by the Walters-Storyk Design Group (WSDG), the facility opened its scoring stage and recording complex in 2016 with SSLDuality δelta consoles in Control Rooms A and B. An SSL Live L500 manages monitoring for musicians in Stage A. ‘Handling the monitoring for the musicians with the L500 makes the recording workflow very easy and fast,’ Mazagg says. ‘The Duality and the L500 are both connected to a Dante network via SSL SuperAnalogue Network I/Os, making routing handy and, again, fast.

‘We set up around 60 mics for our session,’ he continues. ‘The recording with our 96-channel Duality Delta Pro Station and the L500 was smooth as always. The precise and open sound and the signal-to-noise ratio of the Duality preamps is just breathtaking and very useful when it comes to recording stems.’

Synchron Stage has had a long relationship with Zimmer, working with the Oscar-winning composer on scores for Rebuilding Paradise, Inferno and The Crown. ‘I also recorded parts of the first Dune trailer for him, so he knew our work and our sound,’ Mazagg says. ‘He was one of our first high profile users here in Vienna.’

‘Everyone gave 105 per cent to get the expected sound,’ Mazagg says. ‘We had a lot of fun and the clients were very happy with the result. It is always good feeling when you can rely on SSL’s sound which always makes me and the clients very happy.’

In response to the Opening Ceremony, Yoko Ono tweeted, ‘John and I were both artists and we were living together, so we inspired each other. The song ‘Imagine’ embodied what we believed together at the time. John and I met – he comes from the West and I come from the East – and still we are together.’

See also:
Case Study: Synchron Stage Vienna

More: www.solidstatelogic.com

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