TiMax has created a new concept in configurable automated reverb platforms for spatial audio productions and system integration – a plug-in that adds four individual 1-input/16-output ultra-high-quality reverb engines to give sound designers full control of all parameters as well as access to an advanced 3D room reverb-builder application. TiMax Spatial Reverb is available for all existing FPGA-equipped TiMax SoundHub spatial processors.

Aux sends to each reverb engine can be driven by the TiMax TimeLine automation, TiMax TrackerD4 stagetracking so that performers’ mics or effects can be cross-faded between different reverb effects or just similar presets spatially configured to be consistent with their localisation on stage. A unique parameter ‘morphing’ function facilitates the rapid selection, and adjustment, of desired reverb styles under high-pressure tech rehearsal conditions.

Also new for the TiMax TrackerD4 precision stagetracking solution is TiMax TrackerSP, a software add-on option for integrated lighting and media control. Developed in collaboration with virtual production showcontrol specialists, Stage Precision, TiMax TrackerSP enables TiMax TrackerD4 to intelligently direct and focus groups of moving-head light fixtures using ArtNet and sACN networked DMX. TiMax TrackerSP operates seamlessly for synchronised groups of fixtures across multiple tracked objects and opens the door for further Stage Precision integration with videomapping and camera control, as well as Unreal and Notch control and beyond.

More: www.outboard.co.uk