Sound Devices has launched the 664 Production Mixer, the latest addition to its line of field and production mixers.

Sound Devices 664 Production MixerThe mixer is the new flagship in Sound Devices’ line of portable production mixers, building on the features of the 552 Production Mixer with expanded input/output connectivity and recording capabilities, along with greater flexibility and ease-of-use. Its six input channels have dedicated controls for trim, fader, pan and PFL. The inputs and four output buses are all recordable, for a total of ten tracks of recording.

The 664 contains six ultra-low noise, high-dynamic range transformer-less preamps that accept mic- or line-level signals and include analogue peak limiters, high-pass filters, input trim control and direct outputs on every channel. Along with analogue audio paths, the 664 has numerous digital capabilities. Inputs 1 & 6 are unique in that they can be selected as AES3 or AES42 inputs for digital microphones, each with its own SRC for simplicity in system clocking.

The analogue output includes four output buses. The LR buses are on balanced XLR, 10-Pin, TA-3M connectors, or unbalanced on TA-3M or 3.5mm connectors. Auxiliary output buses X1 and X2 are available on balanced TA-3M connectors. Inputs and buses can be routed to four AES3 connections for eight digital outputs on the XLR and 10-pin connectors.

The 664 can record up to ten tracks of 16-/24-bit broadcast WAV files to SD and/or CompactFlash cards. All six inputs and its four outputs are individually selectable for recording, enabling the mixer to record all ten channels of audio. With its dual card slots, content can be recorded to either or both cards simultaneously, with the added ability to assign individual tracks to each memory card.

Sound Devices released a companion accessory, the CL-6 Expander, adding six analogue line-level inputs to the 664 Production Mixer. With the CL-6 attached, the direct output connectors are available as recordable inputs, controlled by faders located on the CL-6 front panel. The CL-6 also offers additional LED output metering and duplicate-recording transport controls. With the 664 Production Mixer connected to the CL-6 Expander, users can now record up to 12 input channels and four outputs, for a total of 16 tracks.

The 664 features connectivity options in addition to the main audio I/O. It has expanded return-monitoring capabilities, with three separate camera returns as well as a dedicated private line communications connection. The 664, like the 552, has a built-in slate microphone and tone oscillator, and includes a dedicated input for an external slate mike. The internal or external slate mike can be routed to either outputs or to the dedicated comm output. The 664 can easily build a private line communication with a comm return input, separate from camera returns.

The mixer has an intuitive LCD menu to adjust input settings and indicate how an input is routed and connected when its settings are altered. The LCD also enables users to quickly activate the individual tracks that are to be recorded. It features dedicated front panel controls for gain, trim and faders, as well as full-size XLR connectors, and is powered by five AA batteries or external DC power.

The 664 includes a high-precision Ambient-based time-code generator/reader for multi-camera and double-system sound applications. All common production time-code rates and modes are supported. The 664, like all Sound Devices products, is designed to withstand the physical and environmental extremes of field production. Its top and bottom chassis panels are made from molded, metalized carbon fiber for superior durability and weight reduction. The chassis panels are also gasketed for water resistance.

‘Our customers are looking for more inputs, connectivity, flexibility and power in the field,’ says Jon Tatooles, Sound Devices MD. ‘We have taken the strengths and knowledge gained from our existing mixer line and continue to evolve the technology to meet the growing needs of sound mixers. The 664 is how we see the future of high-performance field mixers; they need to have recording capabilities in order to be a fully functional tool in the field.’

More: www.sounddevices.com

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