Apex Liviau RApex has announced an ‘all-in-one’ conference room control system, Liviau R, offering full control over presentations and complete room control – including lighting, video, audio and other automated services.

Liviau’s 10.1-inch touchscreen interface displays only the information required during meetings and presentations. The menu places all meeting/presentation funtions under fingertip control. This can also be mirrored to an external device, allowing control from anywhere in the room.

Liviau supports wireless presentations from a laptop, tablet or smartphone using the device’s Airplay, Chromecast or Miracast technology. Content that is regularly used may be stored in Liviau R’s internal memory for ready accessibility when required. A built-in web browser allows access to information stored on other servers, or for quick searches and sharing of information. Meetings can also be recorded and archived for later consultation.

Another feature of Liviau R is its high definition audio capabilities. The device offers a built-in audio mixer that incorporates a DSP processor with multiple EQ and limiting facilities and an integrated two-channel 50W amplifier. Earphones, MP3 players and wireless headphones may connected via Bluetooth and the internal music player or internet radio offer background music.

In terms of control, Liviau R offers simple control of audio and lighting levels at all times via two faders situated at the left and right of the touchscreen. Extensive automation features allow for events such as closing blinds, retracting screens to be triggered on demand. Conventional room lights are easily controlled and LED lighting colour can be selected via a colour wheel.

Housed in a robust streamlined aluminium casing, Liviau R may be desk- or wall-mounted. It offers an integrated solution to all A/V conferencing at under €3,000.

See also:
Apex Liviau S 

More: www.apex-liviau.com


Avid S6 v2.0 softwareAvid  has announced v2.0 software for the S6 control surface, offering enhancements that include allowing designated areas of the surface to spill VCAs, layouts, tracks by type and tracks by DAW. This is in addition to enabling on-screen banking to follow surface banking.

Users of the S6 M40 will find that Display Modules now show automation data along with waveforms.

The update is being handled in the UK by Scrub, a division of HHB specialising in postproduction: ‘Working with leading S6 users, Avid has turned valuable feedback into powerful new features that make working with the S6 even more efficient and workflow friendly,’ says Scrub Pro Tools Technical Support Engineer John Johnson. ‘The addition of Spill Zones brings incredible flexibility and the Expanded Knob Modules View will make Icon users feel right at home.’

More: www.avid.com 

Bel Digital BM-A1-64DanteMonitoring specialist Bel Digital has announced the world’s first Dante audio monitor, the BM-A1-64Dante for the broadcast, live sound, recording and fixed installation markets.

Housed in a rugged 1U-high rack chassis, the BM-A1-64Dante features a redundant power supply as standard and offers full audio redundancy over a Gigabit Ethernet network. Designed to provide a simple and effective way of monitoring audio in Dante networks, the unit provides a visual indication of signal strength on all 64 selected Dante channels. Each individual channel can also be audibly monitored, or the operator can combine up to 16 channels to provide a unique stereo monitor mix.

An onboard matrix enables access to 512 audio sources using Dante Controller software, with the audio present at the front panel mounted speakers also available via balanced analogue (on two XLRs) and AES/EBU (1on a single XLR) outputs.

In addition, Audinate has announced that Dante is to be compliant with AES67, which specifies interoperability with other compliant systems, such as Ravenna, QSC’s Q-Lan and Telos Systems’ Livewire.

More: www.beldigital.com

Algorithms to Measure Audio Programme Loudness and True-Peak Audio Level

[issuu layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Fcolor%2Flayout.xml backgroundcolor=95a36b showflipbtn=true documentid=121024074215-7354fcfcf9c34649a5d1ebce6919595e&docName=bs.1770&amp username=Fast-and-Wide.com loadinginfotext=Calrec%20Audio%20Primer showhtmllink=true tag=systems width=420 height=297 unit=px]

Please click here to download

Counting as far back as 1826, the site occupied by Liverpool’s Royal Court Theatre has provided a variety of entertainment to the local community. Most recently, the venue replaced its Yamaha DM2000 digital mixing console with a new CL5. The theatre presents eight major productions each year, and draws heavily on local talent including cast, crew and technical support. A recent major upgrade of the venue’s audio system saw the CL5 console installed after an in-depth evaluation.

Royal Court TheatrePro Audio Systems (PAS) supplied three different consoles for the evaluation, with the CL5’s processing power and control, ease of use and Dante networking winning out. Also supplied as part of the upgrade were a pair of Yamaha Rio3224-D i/o units, one Ri8 input and two Ro8 output units, plus four network switchers.

‘As our productions have been becoming technically more demanding, the need for further flexibility in our sound system was becoming apparent,’ says Royal Court Head of Sound, Kate Harvey. ‘We looked at a variety of consoles and the CL5 was the obvious choice, especially with the Dante networking. It fits our needs perfectly and my familiarity with Yamaha desks also helped, as we only have very short crossover periods in between shows. It’s great to have a console in the theatre that delivers the sound quality our productions deserve.’

The Dante networking featured onboard the CL5 and other Yamaha digital consoles allows several input/output rack units to be located according to the demands of the production – an example at the Royal Court might be a Rio3224-D, another for the radio racks at side of stage, an Ro8 in the amplifier room, an Ri8 at front of house, alongside another Ro8 for spare outputs, all connected via standard Cat6 cable. The four network switches supplied by PAS, two at FOH and two on stage plus two runs of Cat6 cabling also provide full network redundancy.

More: www.proaudiosystems.co.uk
More: www.yamahacommercialaudio.com

Grammy Audio Network Schematic

Return to Sound for the 2012 Grammys feature...

Building commercial and technical support for its growing base and realisation of our expansion plans, Netherlands-based loudspeaker manufacturing specialist Alcons Audio is invinting applications for the following positions:

Audio DSP developer
Firmware developer
Linux developer
Sales Support Engineer, Germany

More information and application details are available from Alcons Audio.

More: info@alconsaudio.de

Calrec Networking Primer

[issuu layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Fcolor%2Flayout.xml backgroundcolor=95a36b showflipbtn=true documentid=130412071750-d27fe1dc34844ac8a257a8b3930f873d docname=calrec-network-primer username=fast-and-wide.com loadinginfotext=Calrec%20Network%20Primer showhtmllink=true tag=audio width=420 height=297 unit=px]

Please click here to download

Clear-Com has released the Linq series of comms interfaces, enabling connection of two-wire partyline with call signalling and four-wire audio over LAN, WAN or Internet IP infrastructures.

Clear-Com LinqBased on Clear-Com’s IV-Core technology, Linq is available in two-wire (Linq-2W2) or four-wire (Linq-4W2) options. The Linq-2W2 is both Clear-Com and RTS TW compatible. The Linq-4W2 can interconnect with devices, such as analogue ports of any matrix intercom system, analog telephone circuits, two-way radio gateways and audio consoles. A maximum of six Linq IP interfaces can be linked together in any 2-wire or 4-wire combination.

Linq uses the Opus high-quality audio codec, allowing bitrate, bandwidth and delay to be changed quickly without introducing distortion or discontinuity in the audio. As a low audio latency communication link, Linq can be used for natural intercom conversation, networked music performances and for audio signals that are transported via different facilities (transmission sync).

The creation of virtual partylines within a linked group is an exclusive feature. Channels from any of the six devices in the network can be linked to create common virtual partylines. At least two channels must be associated to each other. Linq uses a touch-friendly web-based user interface to configure, control and monitor any device within a linked group.

‘Linq is a simple yet significant development that enables users to expand their remote communications quickly and easily,’ says Clear-Com Product Manager, Stephen Sandford.

More: www.clearcom.com


Sound Devices has released Firmware 2.10 software for its 970 audio rack-mounted and PIX 250i, PIX 260i and PIX 270i video rack-mounted recorders.

New features and upgrades include enhanced metadata functionality, sound report creation and improved file/folder formats. In addition, Sound Devices now offers a Release Candidate Screening Program, which gives existing users of its rack-mounted recorders a preview of features and changes under development in the firmware.

Firmware 2.10 features a new Metadata screen that allows users recording audio to access and edit the Scene, Notes, Take and Circle status of Previous, Current and Next takes. It also provides the same metadata editing functionality from PIXNet, the Web browser interface. Additionally, the PIXNet clips tab now display information about recordings, including start time code, fps, user-bits, duration, codec and audio format.

With regard to reel folder formats, in previous iterations of the firmware, a Custom option enabled users to edit reel folder names with any alphanumeric value, whereas the 2.10 firmware offers a second Daily option. If set to Daily, new reel folders will automatically be named with the current system date in the YYMMDD format. These daily reel folders, which are containers for the recordings, are helpful in organising deliverables for projects that span multiple days. This latest firmware also features a new Phrase List Manager, which lets end users create a list of commonly used phrases and then use them to quickly edit the Notes field of recorded WAV files. Users can also now enter notes from either the File list or the new Metadata screen, for the next recording.

For those devices operating in Audio Only Mono mode, it is now possible to have the system append the actual audio track name to the end of the file name. While recording, track names can now be edited from the audio screen and from PIXNet. This assists those in postproduction in determining which audio file is associated with which member of the cast, a feature that is particularly useful in high-track-count reality shows. In addition, the new Sound Reports feature creates CSV files based on WAV-file metadata.

The Release Candidate Screening Program provides the company with direct customer input on the usability of its updates, ensuring the stability of firmware updates in real-world applications. Initially, the programme will target the Video Devices and Sound Devices rackmount products, with the company planning to expand it to other product lines over time.

‘The goal of our new screening program is to work together with end-users to identify and resolve any potential stability issues and get feedback on product performance in real-life workflows, so the best possible firmware makes it into upcoming official releases,’ says Dan Desjardins, Manager of Software Development & Quality Assurance ‘Sound Devices enjoys a highly regarded, open-door relationship with its customers worldwide, and this programme promises to expand on that bond.’

Each Release Candidate will come with a pre-determined expiration date and limited technical support. Firmware 2.10 is available as a free download for all existing rack-mount products.

More: www.sounddevices.com/download/release-candidate

Powered by Tags for Joomla