Located in Tongeren near Belgium’s eastern border in Tongeren, the Bose European distribution centre has recently equipped the city’s 600-capacity theatre in the De Velinx cultural centre with a Bose RoomMatch system and an Apex IX2 48 processor for systemmanagement.
In addition to its cultural role, the theatre now also serves as a Bose’ training venue: ‘We’ve been promoting our pro portfolio quite aggressively over the last couple of years with a range of products dedicated to the theatre market,’ explains Bose’s Gino Moerman. ‘In order to guarantee optimum quality of their installations, all EMEA support engineers and all Bose distributors are trained in De Velinx.’
The De Velinx is a Bose RoomMatch system was selected as a result of the unusual egg-shaped theatre space (max width 40m, depth 25m and an 18m-wide stage), which conventional line array and point-source systems cannot cover evently. RoomMatch speakers offer 42 different dispersion patterns, allowing adaptation to the size and shape of a room. The De Velinx LR system comprises four RoomMatch units with dispersion patterns varying between 120° and 70°, supplemented by two flown RMS125 bass speakers. The dispersion of the central cluster units ranges from 120° to 90°, with a total dispersion of 60°. The system is completed with two side fills to address the front rows and four double 18-inch subs under the stage.
All the speakers are powered by Bose PowerMatch PM8500 eight-channel amplifiers with onboard DSP. System tuning was achieved through Bose’s ControlSpace ESP networkable DSP. However, the company didn’t want visiting engineers to have access to the ControlSpace device as since too many of the parameters are freely accessible. This meant that the company needed an alternative solution…
‘We went for Apex’s IX2 48 system management device thanks to its crystal clear sound, a very intuitive GUI and optimised integration of Smaart,’ Moerman says. ‘It was also strongly recommended to us by Belgian sound engineer Eric Loots, who knows the unit well as he owns one himself.’
‘The X2 is one of my go-to tools for system alignment,’ Loots adds. ‘First and foremost, it’s a fantastic-sounding machine but it’s also really simple to use. Simplicity was an important aspect for Bose as the technicians from the venue had to be able to operate it as well as visiting sound engineers. The user interface is very clear and has lots of nice features such as the ability to import your Smaart graphs into the EQ window which saves a lot of swapping about between programs and/or laptops.’
‘The IX2 serves as overall system processor,’ Loots says. ‘All level, delay and EQ correction is done in the IX2 so the Bose DSP amps are used exclusively for speaker processing. The reason for this is to give visiting engineers a clear overview of the adjustments made to the system and so that they have total control of their own show.’
‘It’s an ideal solution for us,’ Moerman agrees. ‘All of the important parameters such as individual levels, parametric EQ, time delays for LCR, fills and subs are freely accessible and can be stored in the internal presets, and multiple presets are programmed for both analogue and digital (AES3) inputs. There are also presets for a number of standard system configurations such LR or LCR that can be used as a starting point or to reset the system in readiness for a new show.’
‘As a highly popular venue, De Velinx sees different guest engineers coming in almost every week, so it was imperative that the system management be easy to use, even for engineers unfamiliar with the device,’ continued Moerman. ‘Apex’s intuitive Intelliware software makes the system really easy to configure and use, and Apex themselves are always on hand to offer first class support if necessary – all of this along with Eric’s recommendation made it a pretty easy choice for us.’
More: www.apex-audio.eu
