When Matt Tamisin and his brother Abraham saw the opportunity to acquire a console that had been part of a classic LA studio – and where legendary artists continue to make timeless recordings – they knew they had to have it for their Japanski Studio in Athens, Georgia. ‘I knew that if I didn’t get this one, I’d never get a Neve,’ says Matt.

Japanski Studio

Previou sly at Studio E at Capitol Studios in Los Angeles, the legacy 24-fader Neve Genesys console was sourced by GC Pro: ‘It was a bit scary, talking about what it’s like to buy the most central piece of equipment a studio can have long distance, by phone and internet, he says, ‘but I took the plunge because I’ve been buying from GC Pro for years and every experience has been a good one, including this.’

Tamisin cites GC Pro’s return policy, pricing, access to pre-owned classic equipment and customer support as reasons he didn’t think twice about the purchase. ‘I knew GC Pro would have me covered,’ he says.

The Genesys had been acquired by GC Pro’s Hollywood office, a result of its relationships with the pro audio community in the Southern California region, including Capitol Studios.

‘They were doing some house cleaning, upgrading some of their rooms, which is something that we helped them with,’ explains Brian Overton, GC Pro Account Manager. ‘We purchased several really nice pieces of equipment from them, including a pair of TL Audio mic preamps. Once we had the console tested, checked out and up on our dedicated pre-owned equipment website, Matt saw it and knew that’s what he wanted. We were able to get it to him cost-effectively, and we’ll be there to back him up when he needs us.’

GC Pro’s Used Gear website has become a favourite hangout of equipment aficionados. ‘The Used Gear website is great because it lets smaller studios access equipment that puts them into a higher tier at prices they can afford,’ says Overton. ‘Our used inventory is constantly being refreshed, and we’re always picky about what we decide to acquire, so buyers have lots of choices but also know that they’re getting the best stuff.’

Tamisin agrees. In fact, he’s chronicled the arrival and commissioning process of the new deck on a detailed blog. ‘GC Pro has taken good care of me,’ he says. ‘And I love having a piece of history in my studio, and GC Pro made it happen. It may have been in Studio E at Capitol, but it’s our Studio A console now.’

More: www.gcpro.com

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