One of the top-grossing touring artists in the world this year, the King Of Waltz returned to his home town of Maastricht in the Netherlands to give his annual performance there. Marking the 25th anniversary of this regular date, he pulled in classical music fans from around the world to fill the Vrijthof Square.
Otherwise known as Dutch classical superstar Andre Rieu, demand for the performance was such that the shows were recorded for DVD release, as well as being broadcast live to cinemas worldwide.
Dutch company United Studios and Outside Broadcast was commissioned to record the concerts, using its flagship OBV audio and video truck. Specially designed for big music events, OB14 features a Lawo mc²66 digital audio console and Lawo Nova73 HD router, offering 96kHz operation. In Maastricht, OB14’s audio control room was home to Coen Thomas – studio engineer for Andre Rieu – and Huub Lelieveld and Mischa Kortleve of United.
With his famous Johann Strauss Orchestra behind him, Andre Rieu performed highlights from the past 25 years of his career, and was joined by the 150-piece Royal Choir Society Maastrichter Staar. With the Orchestra is close-miked, and with so many guest artists and choir singers, the requirement was for a very large number of inputs – 164 channels of audio in all.
At Coen Thomas’ request, 16 of the console’s 56 faders were repeated on all six fader banks, repeating the most important channels and VCAs on all banks, while the rest of the channels were logical presented across the desk. On a second layer of faders, all 164 channels were presented in sequential order, allowing line checks with PA gain to be done quickly in the sound rental provider’s channel order. The ability to do this is unique to the Lawo mc²66. As Huub Lelieveld explains: ‚Other audio consoles don’t have enough fader layers. The mc²66 has six faderbanks with two layers, giving twelve layers of faders in total, so it is possible to have a logical mixing layout and have all the channels available in channel order for line check and gain setting, even with very large channel counts.’
Lelieveld and Kortleve supervised the technical aspects of the audio production, recording all instrument and ambience microphones to two (main and redundant) 192-channel Pyramix workstations. Extra Madi ports were added to their system to complement its standard 128-channel redundant set-up, acquiring a total of six Madi outputs to feed the two multitrack systems.
‘Lawo is unique in the world of broadcast audio because the company has its own rental company,’ Lelieveld offers. ‘Even if you own a smaller Lawo system, you can easily expand your input and output capability by renting what you need for the project.’
Additional equipment was hired in from Audio Broadcast Services (ABS) , founded as a subsidiary of Lawo in November 2005 by Philipp Lawo, and is now a leading rental company, providing audio systems and services for all types of broadcast applications.
United also asked ABS to supply two additional 56-channel Lawo stage boxes, to supplement its own inventory. All the stage boxes were powered from the PA and connected to the truck by fibre, so electrical isolation was assured.
‘Since there was no electrical connection between the truck and PA system, no transformers or splitters were needed. The lack of transformers or additional preamp stages of active splitter systems, together with the accuracy of the Lawo preamps and converters, makes for an extremely pristine audio signal, free of buzzes and hums. This is the cleanest and most pure way to split the microphone signals. The Lawo Dallis frames automatically switch between 110V and 220v which was handy because the PA system was supplied by a Canadian company, who tour all over the world with Andre, and they run on 110V power.’
The 120-minute CinemaLive event was broadcast from Maastricht via satellite to cinemas all over the world.
More: www.lawo.de
