Arguably the world’s best-known music festival, Coachella 2019 saw Allen & Heath’s dLive Digital Mixing System played supporting buzz-worthy sets by breakout pop artist Billie Eilish and Kanye West’s Easter Sunday Service.
Cited by Variety as one of the must-see Coachella acts, Billie Eilish lived up to the hype. Sound Image supplied a pair of S5000 Control Surfaces and DM64 MixRacks to handle both front of house and monitor duties as the teen superstar wooed her fans in two packed and highly energetic shows.
‘Billie has been out with dLive for her last sold-out tour and now in support of her Billboard-topping When We All Fall Asleep, Where Do We Go? album, with Coachella being a great way to really kick off the new tour,’ says Allen & Heath USA Marketing Manager, Jeff Hawley. ‘Engineers like Drew Thornton and Salim Akram [Billie Eilish FOH/monitor engineers] are out there showing just how powerful, robust, and scalable the dLive really is – tackling fly dates with the compact C1500 one day and jumping up to 168 fader strips on an S5000 for huge shows such as Coachella, on the next.’
dLive was also an integral part of Kanye West’s innovative Sunday Service, the debut public performance of his gospel-themed interactive experience. A dLive C3500 and DM64 MixRack were positioned just a few feet away from Kanye on ‘the mountain’ along with over 20 Allen & Heath ME-1 Personal Monitor Mixers which fed in-ear mixes to the accompanying choir members and live musicians.
‘We worked with Kanye’s team to design a system that is flexible enough to keep up with his ever-evolving technical and artistic needs,’ notes Allen & Heath Live Sound & Touring Manager, Mike Bangs. ‘The ability to have great sounding effects right in the box with dLive’s Deep processing, having a multitude of options and formats for easily expanding I/O as needed, and the plug and play ME personal monitoring made for a smooth setup, even in the middle of a field. We are very proud to have played a part in making this special performance a highlight of Coachella 2019.’
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