A new 900-capacity venue, Washington’s, has been opened in Fort Collins, Colorado, to host local and national touring acts spanning genres from Americana and indie-rock to funk and zydeco.
Dating from 1903 and most recently occupied by a sports bar and grill, Washington’s was redeveloped with premium amenities, including world-class lighting and sound – including a Meyer Sound Lina very compact linear line array system, Biamp control and Midas mixing.
‘There are a lot of different PA options out there, but for the programming and demographic we are targeting here we felt like Lina would be the best fit,’ says Washington’s Production Manager, Kevin Gregory. ‘Meyer has always been known for its great clarity in the upper midrange, and for making a flat and responsive reference PA that works well with all genres of music. So for a venue like this, Lina makes a lot of sense.’
Most of the system’s sonic power comes through dual arrays of 11-each Lina loudspeakers with bass augmented by a pair of 1100-LFC low frequency control elements. Other main system components include two each UPJunior and UPM-1P delay/fill loudspeakers and a Galileo Galaxy network audio processor. The artist foldback system comprises ten MJF-210 low-profile stage monitors. The complete audio package was supplied by Second Opinion Audio (SOA) of Colorado Springs with system design by Bob Langlois and Daryl Porter.
The front end of the main audio system centres on a Midas ProX digital console equipped with a Neutron mixing engine. The distributed audio system is built around a Biamp Nexia platform, and includes a dedicated Meyer Sound MM-4XP miniature self-powered loudspeaker for coverage of an area beneath the stained glass window of George Washington, a beloved fixture retained from the building’s previous sports hangout era. The audio system was subcontracted to SOA under an overall audio, video and lighting contract awarded to Barbizon Lighting through the Denver office.
Washington’s grand opening featured New Orleans jazzman Trombone Shorty, with subsequent bookings including Lucius, Shovels & Rope, Anderson East, Rebirth Brass Band, Shel, and Antibalas Flobots. ‘We book predominantly national touring acts so it’s important to make sure our systems are rider friendly,’ says Laura Wilson, live music manager for the Bohemian Foundation, the owner and operator of Washington’s. ‘Since Lina is brand new, most acts weren’t familiar with it yet. But knowing Meyer Sound quality and the acceptance we’ve had with Meyer at our other venue, we were confident it would work with the clients coming in here.’
‘At this point we’ve only had a handful of shows, but right out of the box the Lina system performance has been fantastic and I’ve been really happy with it,’ Gregory says. ‘We had DeVotchKa and Karl Denson’s Tiny Universe in here last week, and both mixing engineers were really psyched with the coverage in the room and the sonic quality of the PA. For me, as a production manager, that’s what’s important. I always look forward to that kind of feedback. We’re looking forward to having more ears on the system, and dialling it in to make it a great sounding room for artists and patrons alike.’
