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Vienna’s mdw installs Lawo audio production console

Among the largest music universities in the world, the University of Music and Performing Arts Vienna (mdw) operates more than nine locations across Vienna, with courses for various instruments, conducting, music education, performing arts and audio engineering.

Recently, the university and Lawo collaborated on the installation of a Lawo mc²56 MkIII audio production console with the A__UHD Core in the mdw’s Tonregie 1 studio, which is now being used to both train students and for daily productions.

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First pairing for L-Acoustics’ L-ISA and L Series array

Among the most exciting acts currently on the Italian music scene, Coez & Frah Quintale’s album Lovebars recently saw them selling out arenas throughout the country. They chose to use immersive audio for the shows, pairing L-Acoustics’ L-ISA spatial audio with the L Series line array for the first time.

‘The use of L-ISA was a huge upgrade in terms of spatialisation, focus, sound impact and sound definition,’ says Sound Designer Valerio Motta, who worked to help adopt the two technologies. ‘Adding L Series was the icing on the cake. L2 is a huge advance in many ways – small footprint, easy to rig and low weight which is crucial for several hangs in an immersive configuration.’

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Location recording pilgrimage for Qivittoq

Milan-based renowned pianist, composer and sound recordist, Andrea Manzoni is part of a movement aiming to redefine the musical landscape with an approach that blurs the boundaries of traditional music styles. He recently made a transformative journey into Icelandic wilderness for the sound design of Qivittoq, a theatrical production set in the North Pole of a world rapidly depleting its resources.

Working from a draft script from the director, Manzoni secured a 30-day residency in the remote town of Isafjordur in the Westfjords, in order to make 12 excursions to locations devoid of human presence. Here, he was to capture raw environmental sounds with shotgun mics.

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The Nature of Spatialisation

Early March saw sound designer Simon Honywill using TiMax SoundHub and TiMax TrackerD4 performer stagetracking to bring spatial treatment to the Paraorchestra performance of The Nature of Why.

Composed by Will Gregory and choreographed by Caroline Bowditch under the artistic direction of conductor Charles Hazelwood, the production is an interpretation of the interview with physicist Richard Feynman asks in empirical terms why certain physical properties occur. Performed within the confines of a 14m circular space on the Lyric Stage at Theatre Royal Plymouth, with 100-120 audience members mingling amongst the players and dancers for each performance this is the first occasion that it has called on TiMax spatialisation.

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Theatro Marrakech upgrades with L-Acoustics

In 2003, Theatro Marrakech was the first music hall to open in Africa. Today, it ranks among Morocco’s best nightclubs and reckons to offer one of the most exceptional nightlife experiences in the world in the setting of its mainly original décor – a mix of dramatic theatrical and dynamic Moroccan themes.

The 2,000-capacity venue recently installed a L-Acoustics K2 sound system to attract leading international artists inspired by a visit to Omnia Las Vegas. The Theatro management worked with Paris-based nightclub consultant Timothée Renard of the Fox Agency and L-Acoustics Certified Provider Integrator Potar Hurlant for the upgrade.

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Ideas PoliceIt was all so good... then suddenly it became a first class, impedence matched, wi-fi enabled, 192kHz nightmare.

I was on the verge of the idea that would become the talk of my generation. Then the shadowy figure of the Health N Safety Sheriff busted in and ruined everything. It’s all going horribly wrong (I think Jeremy Clarkson is in here somewhere) then an alarm rings...

The wake-up call comes from the Production Services Association’s Andy Lenthall. ‘There’s no such person as the Health N Safetly Sheriff,’ he assures me, although I'm certain that he’s holding something back about Clarkson. ‘It’s a common mistake. He’s not coming to get you. I'm on my way.’

Show prevention... tales of mystery and imagination

‘Admittedly it’s a little risky, but it’s more than justified,’ I say, as I rub sleep from my eyes.

Andy Lenthall
Andy Lenthall: voice of reason
‘Interesting that you say risky,’ Andy begins, ‘and comforting that you’ve realised that there are risks involved in your new venture.’

OK Andy, awake now. I’m listening…

‘If you’re talking about the financial risks, I’m assuming that, one way or another, you’ve assessed them and made sure you have reduced the risks of financial loss as far as is reasonably practicable,’ he begins. ‘Of course, if it’s your own money then all you have to lose is your own money, so you might not have to be quite so careful. If you’re borrowing from Big Vern who owns the boxing club, you’ll probably be weighing up the risk of financial loss against your love of taking hospital food through a straw. One thing’s for sure – people don’t usually go into business with the intention of losing money.’

No, it’s not the money, Andy. It’s well… it’s more personal.

‘Nor do people go into (legitimate) business with the intention of injuring or killing themselves or other people. Sure, if it’s your life and yours only, there’s only you to blame and, as with your own money, you may take a greater risk. But, when it comes to other people, you’d be wise to reduce the risks as far as is reasonably practicable. Read the text books and you’ll find that the three drivers for health and safety are legal, financial and moral…

‘Hurt someone and you can end up in court, you’ll probably get fined and you may well lose sleep. It’s not “health and safety” stopping you, it’s sensible risk management making sure you reduce the risk as far as you can within reason.’

You’ve mentioned ‘reasonably practicable’ a couple of times now.

‘That’s the phrase that is enshrined in law; a phrase that the UK Government fought to keep. People say that health and safety is common sense – same thing really. If you’re organising a downhill mountain biking event, you’d reduce risks by holding it on the flat, but that wouldn’t be reasonably practicable, the measures taken would prevent the proposed activity taking place.

Jeremy Clarkson
Clarkson: show prevention conspiracy
Where does that man Clarkson feature in all of this, I wonder…

‘Jeremy Clarkson describes the BBC’s Health & Safety department as “show prevention people”. I think he said that before one of his fellow Top Gear presenters bounced on his head at 450kph.’

If it’s not out to get me, what exaclty is the deal with this ‘health and safety’ thing?

‘It’s not some all-seeing deity, nor is it a team of killjoys, hell bent on preventing any kind of excitement,’ comes the reassuring reply. ‘Health & Safety law in general doesn’t ban activities, it simply sets out a framework for creating a safe workplace, it demands that all work place activities are risk assessed to provide a written record of measures taken to reduce the risk – as far as is reasonably practicable.’

Risk aversion

So why are people so wary of health and safety when it’s part of our moral make-up to not kill or injure people?

‘I would venture that it’s fear of litigation. Take your downhill mountain biking. You’ve ensured that the course is challenging but safe; you’ve ensured that competitors are competent and you’ve got staff on hand should someone get injured. Then someone does take a tumble, they’re injured and they can’t work any more. A few hours of daytime TV in any litigious country will sow the seed of “no win no fee” promises. They pick up the phone and a team of lawyers is dispatched to prove that you’ve been negligent.’

Ah, I get it Andy! The blame lies with the lawyers…

‘Probably,’ he agrees. ‘But if you’ve got your head screwed on, you’ll have some suitable public liability insurance to cover the cost of any litigation. And this is where the real problem may lie. All too often, insurers will weigh-up (risk assess) the cost of fighting a negligence claim against simply settling out of court. This is where common sense, human nature and a level headed approach clash with maths. The costs of defending a claim can be many times more than the compensation paid. Once a settlement has been made, a precedent has been set and the cheque books are required.

‘And so the circle is complete, the accountants that can help you analyse the financial risk at the start of your venture are the people that instill the fear of litigation that has people running scared. Risk aversion rather than “that health and safety” – that’s the reason that the council cancels the pancake race.’

Reassured, I put the kettle on: Jasmine, Earl Grey or Builders?

'Is it safe..?'

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