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First pairing for L-Acoustics’ L-ISA and L Series array

Among the most exciting acts currently on the Italian music scene, Coez & Frah Quintale’s album Lovebars recently saw them selling out arenas throughout the country. They chose to use immersive audio for the shows, pairing L-Acoustics’ L-ISA spatial audio with the L Series line array for the first time.

‘The use of L-ISA was a huge upgrade in terms of spatialisation, focus, sound impact and sound definition,’ says Sound Designer Valerio Motta, who worked to help adopt the two technologies. ‘Adding L Series was the icing on the cake. L2 is a huge advance in many ways – small footprint, easy to rig and low weight which is crucial for several hangs in an immersive configuration.’

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Location recording pilgrimage for Qivittoq

Milan-based renowned pianist, composer and sound recordist, Andrea Manzoni is part of a movement aiming to redefine the musical landscape with an approach that blurs the boundaries of traditional music styles. He recently made a transformative journey into Icelandic wilderness for the sound design of Qivittoq, a theatrical production set in the North Pole of a world rapidly depleting its resources.

Working from a draft script from the director, Manzoni secured a 30-day residency in the remote town of Isafjordur in the Westfjords, in order to make 12 excursions to locations devoid of human presence. Here, he was to capture raw environmental sounds with shotgun mics.

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The Nature of Spatialisation

Early March saw sound designer Simon Honywill using TiMax SoundHub and TiMax TrackerD4 performer stagetracking to bring spatial treatment to the Paraorchestra performance of The Nature of Why.

Composed by Will Gregory and choreographed by Caroline Bowditch under the artistic direction of conductor Charles Hazelwood, the production is an interpretation of the interview with physicist Richard Feynman asks in empirical terms why certain physical properties occur. Performed within the confines of a 14m circular space on the Lyric Stage at Theatre Royal Plymouth, with 100-120 audience members mingling amongst the players and dancers for each performance this is the first occasion that it has called on TiMax spatialisation.

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Theatro Marrakech upgrades with L-Acoustics

In 2003, Theatro Marrakech was the first music hall to open in Africa. Today, it ranks among Morocco’s best nightclubs and reckons to offer one of the most exceptional nightlife experiences in the world in the setting of its mainly original décor – a mix of dramatic theatrical and dynamic Moroccan themes.

The 2,000-capacity venue recently installed a L-Acoustics K2 sound system to attract leading international artists inspired by a visit to Omnia Las Vegas. The Theatro management worked with Paris-based nightclub consultant Timothée Renard of the Fox Agency and L-Acoustics Certified Provider Integrator Potar Hurlant for the upgrade.

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Britannia Row sheds new light on Cirque’s Alegría

Widely regarded as Cirque du Soleil’s most iconic touring production, Alegría iwas recently staged at London’s Royal Albert Hall as Alegria: In a New Light, before moving on to the Big Top at the L’Hospitalet de Llobregat in Barcelona. For this latest tour, its music has been re-arranged and modernised, and with different instrumentation.

Alegria is also Cirque du Soleil’s most streamed and purchased album of all time – a tribute that is down to Cirque du Soleil Head of Sound, Francois Lanteigne.

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Future ClickThe term ‘social networking’ is on a lot of lips at present – from university graduates through IT specialists to pro audio and A/V companies, and most acutely, broadcasters. A subject that, until only recently, was the preserve of anthropologists, sociologists and other academics, has now become mainstream, with direct relevance to our personal and professional lives.

Such is the impact of social networks, a recent revelation by a group of UK divorce lawyers cited Facebook as a factor in 20 per cent of the country’s divorce cases. Meanwhile, Facebook founder Mark Zuckerberg is the central character in a Golden Globe winning and Academy Award nominated Hollywood drama. You couldn’t make it up…

Much has been written on the subject as a science since the 1930s, but it is with the arrival of the internet that social networking has taken on a dramatically new significance. This is now moving up a gear, with broadcasters’ integration of social media services into their programme formats.

Today, what was once academic acknowledgement of our social structure extends beyond our unwitting involvement in social groups of people, to determining the way virtual networks are established and operated – on an unprecedented scale. The long arm of the internet allows us to contact and interact with people that would otherwise be completely beyond our reach. And with this, our friendships, knowledge and influence extend way beyond previous limits.

Mark Zuckerberg
Facebook founder Mark Zuckerberg
Although the so-called ‘rule of 150’ asserts that the size of a genuine social network is limited to about 150 members (a prohibitively low criterion for most internet-based groups) there are countless groups exchanging information and ideas in a manner never before possible. Some members of these groups will never meet in person, and that is the point – this is about communication on technological terms. More than that, it is about communications technology itself. For example, our ability to discuss some aspect of a broadcast or A/V installation with another consultant on the far side of the world may depend on the ability to share documents, images and software, as well as words.

With the implementation of Web 2.0 - taking the internet from being a collection of websites to a full-fledged computing platform serving web applications – we have the ability to do this, and more. And we are.

Increasingly, news stories are spread through networks such as Facebook and Twitter. And many of them are about networks such as Facebook and Twitter – as can be seen in the use of voice Tweets to counter the shut-down of the internet in Egypt’s present troubles. Egypt had one of the most advanced telecommunications markets in the Middle East and Africa until the unrest in Cairo caused its shut-down. Joining forces, Google, Twitter and SayNow (acquired by Google only last week) devised a system that allows a voicemail sent to a phone number published on Google’s blog, to be published as a Tweet.

In Dubai, viewers’ Tweets are being used in a new programme format using the first use of never.no technology in the Middle East. And in Singapore, MediaCorp is readying its Over-the-Top service, which it believes will ‘revolutionise the way users watch television and use internet-enabled devices’.

As well as living in this brave new world, audio professionals have a hand in shaping it. Whether you are providing the A/V and comms network in a hotel or conference centre, designing new television programmer formats, creating music or video programming, or designing the equipment involved in almost any aspect of professional media, you have a direct influence on how tomorrow’s social networks will be formed and will operate.

That’s quite a responsibility we have…

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